11.3 TRIG PAGE 2
11. TRACK PARAMETERS > 11.3 TRIG PAGE 2 · PDF p. 54–55 · OS 1.15A
# 11.3 TRIG PAGE 2 11. TRACK PARAMETERS FLT.T Filter Trig controls if the filter envelope will be trigged or not. FILL Fill is a separate trig condition that determines if a trig is active (plays) or not depending on if the device is in FILL mode or not. For more information, please see “10.8.4 FILL MODE” on page 49, and “10.7.3 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 48. ON A trig with FILL set to ON, plays when FILL mode is active. OFF A trig with FILL set to OFF plays when FILL mode is not active. The sequencer needs to be in FILL mode to activate the FILL trig condition. For more information, please see “10.8.4 FILL MODE” on page 49. COND (Trig Condition) when you add a conditional lock. COND sets the Trig Condition with which a set of con ditional rules can be applied to any trig, using a conditional parameter lock. For more information, please see “10.7.3 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 48. 11.3 TRIG PAGE 2 Here you set the behavior of retrigs that are added to note trigs placed in the sequencer. On this page you also control the portamento. Change settings using the DATA ENTRY knobs. These general settings all affect note trigs placed in the sequencer. Retrigs can be customized on any of the sequencer steps on the audio tracks (the retrig function is not available on the MIDI tracks). In GRID RECORDING mode, press [TRIG PARAMETERS] twice to access the RETRIG PARAMETERS page. Hold one or several [TRIG] keys and then set the desired retrig options for the trig(s). The RETRIG PARAMETERS page shows the retrig actions for the chosen sequencer step(s) on the active track. The retrig settings are stored in the active pattern. RTRG Retrig turns the retrig lock ON/OFF. Use DATA ENTRY knob A to turn retrig on/off. For information on setting retrigs locks on specific trigs in the sequencer, please see “10.5 RETRIGS” on page 45. VFAD Velocity Fade sets the velocity curve fade out/fade in of the retrig (-64–64). -64 corresponds to a complete fade out during the set length, -32 fades out to half the velocity during the set length, 0 equals a flat velocity curve with no fade, 32 fades into half velocity during the set length and 64 fades in com pletely to full velocity during the set length. Please note that the effects of the VFAD setting is also dependent on the VEL setting on TRIG PAGE 1. LEN Length sets the duration of the retrig velocity curve in fractions of, or rational or integer multiples of a step (0,125–INF). 1/16 is the nominal length of one step. This setting affects the behavior of the velocity curve by defining the boundaries of its envelope. RATE Rate sets the retrig rate (1/1, 1/2, 1/3, 1/4, 1/5, 1/6, 1/8, 1/10, 1/12, 1/16, 1/20, 1/24, 1/32, 1/40, 1/48, 1/64 or 1/80). 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two trigs per step and so on. To trig triplets, for example, set the retrig rate to 1/12 (or 1/24). 11. TRACK PARAMETERS PTIM Portamento Time sets the time for the portamento. PORT Portamento turns the portamento on/off. Please note that this parameter is only available on audio tracks. For more information, please see “9.8.2 TRACK” on page 38. 11.4 SRC PAGE The parameters on the SOURCE pages control the playback of the samples, and these parameters vary de pending on what machine is selected. The SRC machines are sound engines that uses a particular subset of the functionality of the sample playback engine. In this section you also find the MIDI machine that lets you control external, MIDI equipped, gear. You can assign any SRC machine to any track. SRC page 2 con tains the same parameters as on page 1 but with a graphical representation of the parameters and a view of the sample waveform. For more information, please see “A.2 SRC MACHINES” on page 93. Use the DATA ENTRY knobs to change the settings. Press [SRC] to access this parameter page. 11.5 FLTR PAGE 1 The parameters on the FLTR page 1 control the filter/EQ, and these parameters vary depending on what machine is selected The FLTR machines are a collection of different filters and EQ. For more information, please see “A.3 FLTR MACHINES” on page 104. Use the DATA ENTRY knobs to change the settings. Press [FLTR] to access this parameter page. 11.6 FLTR PAGE 2 On FILTER page 2, you will find the parameters that control the base-width filter and the envelope delay parameter. The base-width filter is basically a Highpass filter and a Lowpass filter connected in series. The filters BASE and WIDTH parameters define the base-width filters frequency range. Examples of how the BASE and WIDTH parameters affect the filter frequency range: FREQUENCY AMPLITUDE Base Width FREQUENCY AMPLITUDE Base Width FREQUENCY AMPLITUDE Base Width • With BASE set to 0, the filter functions as a low pass filter with WIDTH adjusting the fre quency range. • With WIDTH set to 127, the filter functions as a high pass filter with BASE adjusting the frequency range. • With BASE set to 0 and WIDTH set to 127 the filter does not affect the sound.
Chunks share pages with neighboring sections; text before/after the section heading belongs to the adjacent sections.