← Search

11.10 MOD PAGE 2

11. TRACK PARAMETERS > 11.10 MOD PAGE 2 · PDF p. 59 · OS 1.15A

# 11.10 MOD PAGE 2

11. TRACK PARAMETERS
DEST
Destination selects the modulation destination for the LFO. Preview how the LFO modulation will affect
the sound by highlighting a destination. Press [YES] to confirm the selection. Press [FUNC] and then
turn the knob to snap to destination sections. For more information, please see “APPENDIX C: MODULA­
TION DESTINATIONS” on page 114.
WAVE
Waveform sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are
bipolar. The Exponential and Ramp are unipolar.
SPH
Start Phase sets the point within the wave cycle where the LFO will start when it is trigged. 0 makes the
LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. A small square at
the start of the waveform shows that the wave cycle starts at a zero-crossing. If WAVE is set to RND
then the SPH parameter changes to SLEW and adds slew to the transitions in the waveform.
MODE
Trig Mode sets how the LFO will act when a note is trigged.
• FRE is the default free-running mode. It makes the LFO run continuously, never restarting or
stopping even if notes are trigged..
• TRG makes the LFO restart when a note is trigged.
• HLD makes the LFO run free in the background, but when a note is trigged the LFO output level is
latched and held still until the next note is trigged.
• ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops.
This makes the LFO function similar to an envelope.
• HLF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops.
DEP
Depth sets the depth and polarity of the LFO modulation. Both negative (inverted) and positive modula­
tion depth is possible. A center setting, 0.00, equals no modulation depth.
11.10 MOD PAGE 2
MOD page 2 page contains the same parameters as LFO page 1, but controls the behavior of LFO 2.
11.11 MOD PAGE 3
MOD page 3 page contains the same parameters as LFO page 1, but controls the behavior of LFO 3.
Please note that MIDI tracks only have two LFOs.

Chunks share pages with neighboring sections; text before/after the section heading belongs to the adjacent sections.