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11.7 AMP PAGE

11. TRACK PARAMETERS > 11.7 AMP PAGE · PDF p. 60–62 · OS 1.10D

# 11.7 AMP PAGE

11. TRACK PARAMETERS
Examples of how the BASE and WDTH parameters affect the filter frequency range:
FREQUENCY
AMPLITUDE
Base
Width
FREQUENCY
AMPLITUDE
Base
Width
FREQUENCY
AMPLITUDE
Base
Width

•	 With BASE set to 0, the filter functions as a low pass filter with WDTH adjusting the fre­
quency range.
•	 With WDTH set to 127, the filter functions as a high pass filter with BASE adjusting the
frequency range.
•	 With WDTH set to 0, the filter functions as a band pass filter with BASE adjusting the
frequency.
•	 With BASE set to 0 and WDTH set to 127 the filter does not affect the sound.
DEL
Envelope delay sets the time before the attack phase of the filter envelope starts. This parameter is part
of the filter envelope that controls the FLTR machine. You can also press and hold [FUNC] and then turn
DATA ENTRY knob A to quickly access this parameter from FLTR page 1. This parameter only affects the
selected filter machine on FLTR page 1.
KEY.T
Keytrack sets how much the filter cutoff frequency is affected by what note is playing. The higher the
KEY.T setting, the more the filter opens up at higher notes. This parameter only affects the selected filter
machine on FLTR page 1.
BASE
Sets the base frequency of the filter.
WDTH
Sets the frequency width above the base frequency.
BW.RT
BW Routing selects if the base-width filter should be routed before (Pre) or after (Post) the machine
selectable filter in the audio path.
RSET
Filter Envelope Reset sets the filter envelope behavior. This parameter only affects the selected filter
machine on FLTR page 1.
ON resets the envelope for each consecutive trig (default). The envelopes attack phase is reset to zero.
OFF does not reset the envelope for each consecutive trig. The envelopes attack phase continues
from where it was left off.
11.7 AMP PAGE
The AMP page controls parameters for the amplitude envelope, panning, and volume.
Press [AMP] to access this parameter page.

11. TRACK PARAMETERS
ATK
Attack Time sets the length of the attack phase of the amp envelope.
HOLD
Hold Time sets the length of the hold phase of the amp envelope. Fixed Hold time values (0–126) specify
the length of the hold phase, and the envelope ignores Note Off events such as Trig Length, releasing a
[TRIG] key or a key on an external controller. Setting HOLD to NOTE means the hold phase will be deter­
mined by Note On and Note Off events. This parameter is only available if MODE is set to AHD.
If you set HOLD to NOTE and use an external keyboard to trigger the envelope, then the
sound will be sustained (if DEC is set to less than 127) for as long as you press a key on the
keyboard.
DEC
Decay Time sets the length of the decay phase of the amp envelope.
SUS
Sustain Level sets the sustain level of the amp envelope. This parameter is only available if MODE on is
set to ADSR.
REL
Release Time sets the length of the release phase of the amp envelope. This parameter is only available
if MODE is set to ADSR.
RSET
Amp envelope reset sets the amp envelope behavior:
ON resets the envelope for each consecutive trig (default). The envelopes attack phase is reset to zero.
OFF does not reset the envelopes for each consecutive trig. The envelopes attack phase continues
from where it was left off..
MODE
Envelope mode sets the amplitude envelope to function as an AHD or an ADSR envelope.
PAN
Pan positions the audio in the stereo field.
VOL
Volume sets the volume amount of the amplifier. Unlike the track LEVEL, this parameter can be parame­
ter locked. and is saved with the preset.

Amplitude envelope with MODE set to AHD and a fixed HOLD time.
TIME
AMPLITUDE
Note On
Attack
Decay
Hold
Note Off
Attack
Decay
Hold
Note On
Note Off
Attack
Decay
Hold
Note On Note Off

11. TRACK PARAMETERS
Amplitude envelope with MODE set to AHD and HOLD set to NOTE.
TIME
AMPLITUDE
Note On
Attack
Decay
Hold
Note Off
Attack
Decay
Hold
Note
On
Note Off
Attack/
Hold
Decay
Note On
Note Off
11.8 FX PAGE
The FX parameter page contains a number of FX related parameters such as the Bit Reduction, Overdrive,
and Sample Rate Reduction. Here you also find the send levels for the Delay, Reverb, and Chorus effects.
Press [FX] to access this parameter page.
BR
Bit Reduction sets the bit depth. The parameter range is from 16 bits to 1 bit.
OVER
Overdrive sets the gain amount into the digital overdrive.
SRR
Sample Rate Reduction sets the amount of sample rate reduction.
SR.RT
SRR Routing sets if the Sample Rate Reduction effect is routed before (PRE) or after (POST) the filter
machine.
DEL
Delay Send sets the amount of sound sent through to the Delay effect. For more information, please see
“12. FX AND MIXER PARAMETERS” on page 65.
REV
Reverb Send sets the amount of sound sent through to the Reverb effect. For more information, please
see “12. FX AND MIXER PARAMETERS” on page 65.
CHR
Chorus Send sets the amount of sound sent through to the Chorus effect. For more information, please
see “12. FX AND MIXER PARAMETERS” on page 65.
OD.RT
Overdrive Routing selects if the overdrive effect is routed before (PRE) or after (POST) the filter machine.
Please note that there are no parameters on the FX page for MIDI tracks.

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