11.6 LFO PAGE
11. MIDI TRACK PARAMETERS > 11.6 LFO PAGE · PDF p. 60–62 · OS 1.40A
# 11.6 LFO PAGE 11. MIDI TRACK PARAMETERS 11.4.1 VAL1-VAL8 CC 1–8 Value controls the values that are sent for the CC commands, which are specified on the AMP (CC SELECT) page. These parameters default value is OFF. Press [TRIG] + DATA ENTRY knobs to acti vate the parameters and then set a value. 11.5 AMP PAGE (CC SELECT) Here you select the eight CC commands whose values are controlled by the parameters on the FLTR PAGE (CC VALUE) page. Press [AMP] to access this parameter page. 11.5.1 SEL1-SEL8 CC 1–8 Select specifies the CC commands that are controlled by the parameters on the AMP PAGE 1 (CC VALUE) page. The selectable values are the standard MIDI Control Change Messages. 11.6 LFO PAGE The Low-Frequency Oscillator can be used to interact with the parameters found on the MIDI tracks’ SYN, and FLTR pages. Customize the low-frequency oscillator behavior, orientation, and depth on this page. Press [LFO] to access this parameter page. 11.6.1 SPD Speed sets the speed of the LFO. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The pa rameter is bipolar. The LFO cycle can be played backward by using negative values. 11.6.2 MULT Multiplier multiplies the SPD parameter by the set factor either by multiplying the current tempo (BPM settings), or by multiplying a fixed tempo of 120 BPM. 11.6.3 FADE Fade In/Out makes it possible to fade in/fade out the LFO modulation. The knob is bipolar. Positive val ues give a fade-out, negative values give a fade in. 0 gives no fade in/fade out. 11.6.4 DEST Destination selects the modulation destination for the LFO. Preview how the LFO modulation will affect the sound by highlighting a destination. Press [YES] to confirm the selection. For more information, please see “APPENDIX C: LFO MODULATION DESTINATIONS” on page 119 11.6.5 WAVE Waveform sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are bipolar. The Exponential and Ramp are unipolar. 11. MIDI TRACK PARAMETERS 11.6.6 SPH Start Phase sets the point within the wave cycle where the LFO will start when it is trigged. 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. A small square at the start of the waveform shows that the wave cycle starts at a zero-crossing (not available in FREE and HOLD mode. If WAV is set to RND then the SPH parameter changes to SLEW and adds slew to the transitions in the waveform.. 11.6.7 MODE Trig Mode sets how the LFO will act when a note is trigged. • FREE is the default free-running mode. It makes the LFO run continuously, never restarting or stopping even if notes are trigged. • TRIG makes the LFO restart when a note is trigged. • HOLD makes the LFO run free in the background, but when a note is trigged the LFO output level is latched and held still until the next note is trigged. • ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops. This makes the LFO function similar to an envelope. • HALF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops. 11.6.8 DEP Depth sets the depth and polarity of the LFO modulation. Both negative (inverted) and positive modula tion depth is possible. A setting of 0, equals no modulation depth. 12. FX TRACK PARAMETERS 12. FX TRACK PARAMETERS Here follows a description of the parameters that are on the FX track’s PARAMETER pages. The FX track controls the parameters of the Analog FX block and in addition it also gives sequencer control over the parameters on the REVERB and DELAY parameter pages. For more information, please see “13. DELAY, REVERB AND MIXER PARAMETERS” on page 68. The FX track’s parameters are saved together with the pattern. The parameters may be locked to other settings on any step of the pattern by first pressing and holding a [TRIG] key, then changing the parameters settings with the DATA ENTRY knobs. For more infor mation, please see “9.10.1 PARAMETER LOCKS” on page 43. 12.1 EDITING THE FX TRACK PARAMETERS Press the [FX] key to access the FX track and then use the [PARAMETER] keys to access the different PA RAMETER pages. Use the DATA ENTRY knobs A-H to change the parameters. Press and hold a [PARAME TER] key to see the values for all parameters on that page. 12.2 TRIG PARAMETERS PAGE Set the actions for what a trig on the FX does. These general settings affect trigs placed in the sequencer. Use the DATA ENTRY knobs to change the settings. Press [TRIG PARAMETERS] to access this parameter page. 12.2.1 LEN Trig Length sets the length of the trig. In LIVE RECORDING mode, the duration of pressing the [TRIG] keys overrides this general setting. 12.2.2 PROB Trig Probability sets the probability that the trigs on the track plays or not. The probability outcome is re-evaluated every time a trig plays. The default setting is 100%, meaning that all the trigs on the track plays every time. This parameter changes temporarily to display and control COND (Trig Condition) when you add a condi tional lock. COND sets the Trig Condition with which a set of conditional rules can be applied to any trig, using a parameter lock. For more information, please see “9.10.3 TRIG CONDITIONS AND CONDITION AL LOCKS” on page 44. If you have placed a conditional lock on a trig in the sequencer, the trig condition overrides the Trig Probability setting. For example, if you set PROB to 70% and a FILL trig condition on a trig, that trig will only (and always) play when the Syntakt is in FILL mode. 12.2.3 LFO.T LFO Trig controls if the LFO will be trigged or not. 12.2.4 FLT.T Filter Trig controls if the filter envelope will be trigged or not. 12.2.5 AMP.T Amplifier Trig controls if the FX tracks amplifier envelope will be trigged or not. 12.3 SYN PARAMETERS PAGE On this page you can set the set the amount of analog drive on the FX track. For more information, please see “5.4 ANALOG FX BLOCK” on page 17. Press [SYN] to access this parameter page.
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