12.9 LFO PAGE 2
12. FX TRACK PARAMETERS > 12.9 LFO PAGE 2 · PDF p. 67–68 · OS 1.40A
# 12.9 LFO PAGE 2 12. FX TRACK PARAMETERS 12.8.2 MULT Multiplier multiplies the SPD parameter by the set factor either by multiplying the current tempo (BPM settings), or by multiplying a fixed tempo of 120 BPM. 12.8.3 FADE Fade In/Out makes it possible to fade in/fade out the LFO modulation. The knob is bipolar. Positive val ues give a fade-out, negative values give a fade in. 0 gives no fade in/fade out. 12.8.4 DEST Destination selects the modulation destination for the LFO. Preview how the LFO modulation will affect the sound by highlighting a destination. Press [YES] to confirm the selection. For more information, please see “APPENDIX C: LFO MODULATION DESTINATIONS” on page 119 12.8.5 WAVE Waveform sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are bipolar. The Exponential and Ramp are unipolar. 12.8.6 SPH Start Phase sets the point within the wave cycle where the LFO will start when it is trigged. 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. A small square at the start of the waveform shows that the wave cycle starts at a zero-crossing (not available in FREE and HOLD mode. If WAV is set to RND then the SPH parameter changes to SLEW and adds slew to the transitions in the waveform. 12.8.7 MODE Trig Mode sets how the LFO will act when a note is trigged. • FREE is the default free-running mode. It makes the LFO run continuously, never restarting or stopping even if notes are trigged. • TRIG makes the LFO restart when a note is trigged. • HOLD makes the LFO run free in the background, but when a note is trigged the LFO output level is latched and held still until the next note is trigged. • ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops. This makes the LFO function similar to an envelope. • HALF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops. 12.8.8 DEP Depth sets the depth and polarity of the LFO modulation. Both negative (inverted) and positive modula tion depth is possible. A center setting, 0.00, equals no modulation depth. (-64.00–63.00) 12.9 LFO PAGE 2 LFO page 2 page contains the same parameters as LFO page 1, but controls the behavior of LFO 2. Press [LFO] twice to access this parameter page. 13. DELAY, REVERB AND MIXER PARAMETERS 13. DELAY, REVERB AND MIXER PARAMETERS The Syntakt effects and mixers parameters are explained in this chapter. 13.1 EDITING THE DELAY, REVERB AND MIXER PARAMETERS The Syntakt’s Delay and Reverb are send effects and are set on a pattern level. It means that all the sounds in a pattern shares the same effect settings but have individual send levels to the effects. The Delay and Reverb parameters are set on their respective PARAMETER page, but their incoming signals are set by the DEL and REV send parameters on the AMP page of each audio track. Press [FUNC] + [FLTR] to edit the Delay. Press [FUNC] + [AMP] to edit the Reverb. Use the DATA ENTRY knobs A-H to change the parameters. DELAY controls the character, reverb send and volume of the delay send effect. REVERB controls the character and volume of the reverb send effect. The FX parameter settings are stored as part of the pattern. Don’t forget to save the pattern and give it a unique name once you have achieved the results you want. 13.2 DELAY The Delay send effect takes the input signal, delays it in time and then rejoins it with the original signal. Press [FUNC] + [FLTR] to access this parameter page. 13.2.1 TIME Delay Time sets the delay time. It is relative to the current BPM and is measured in 128th notes. TIME setting Divide ratio 1/128 1/64 2.67 1/48 (1/32T) 1/64. 1/32 5.33 1/24 (1/16T) 1/32. 1/16 10.67 1/12 (1/8T) 1/16. 1/8 21.33 1/6 (1/4T) 1/8. 1/4 42.67 1/3 (1/2T) 1/4. 1/2 1/2.
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