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12.2 TRIG PAGE 1

12. AUDIO TRACK PARAMETERS > 12.2 TRIG PAGE 1 · PDF p. 54–55 · OS 1.3.3

# 12.2 TRIG PAGE 1

12. AUDIO TRACK PARAMETERS
12. AUDIO TRACK PARAMETERS
The following is a description of all the parameters available on the audio tracks’ PARAMETER pages. An
audio track is any of the tracks 1–8 that uses a non-MIDI SRC machine. The parameters on the TRIG pages
are not saved together with the preset; instead, they are saved with the pattern. The track parameters can
be locked to other settings at any step of the pattern by first pressing and holding the [TRIG] key, then
adjusting the parameters’ settings with the DATA ENTRY knobs. For more information, please see “10.10.1
PARAMETER LOCKS” on page 44.
Please note that tracks with a MIDI machine have a different set of parameters on the TRIG,
SRC, FLTR, and AMP pages. For more information, please see “A.2 SRC MACHINES” on page
84.
12.1 EDITING THE TRACK PARAMETERS
Press [TRK] + [TRIG 1–8] to select the audio track you want to edit. Press [TRIG], [SRC], [FLTR], [AMP],
[FX], and [MOD] keys to access the tracks PARAMETER page groups. Use the [UP]/[DOWN] keys to
access the parameter group's pages. You can also press a [PARAMETER PAGE] key repeatedly to cycle
through the parameter pages in that group. Press and hold a [PARAMETER PAGE] key to see the values for
all parameters on that page.
•	 You can also randomize the parameter settings on a specific PARAMETER page on an
audio track. Press [PARAMETER PAGE] key + [YES] to randomize the relevant parameters
on that page. Every time you press this key combination, the parameters randomize in a
new way.
•	 Press [PARAMETER PAGE] key + [PLAY] to reset the parameter page’s parameters to
their default parameter values.
12.2 TRIG PAGE 1
Here you set the options for notes that are trigged. This is also where you select trig conditions. Press the
[TRIG PARAMETERS] key to access the menu. Change settings using the DATA ENTRY knobs. These
general settings affect note trigs placed on the sequencer.
NOTE
Trig Note sets the pitch of the note when trigged. When in LIVE RECORDING mode and using the [KEY­
BOARD ] to enter notes, the pitch of the [TRIG] keys played will override this setting. The NOTE parame­
ter is not available for tracks that have the Subtracks SRC machine assigned.
VEL
Trig Velocity sets the velocity of the sequencer’s note trigs.
LEN
Trig Length sets the length of the note trig. In LIVE RECORDING mode, the duration of pressing the
[TRIG] keys overrides this general setting.
PROB
Trig Probability sets the probability that the trigs on the track play or not. The probability outcome is
re-evaluated every time a trig is set to play. The default setting is 100%, meaning that all the trigs on the
track will play every time. This parameter can be parameter locked, which lets you assign separate trigs
their own probability.
RTRG
Retrig enables multiple trig repeats on placed trigs. Use DATA ENTRY knob A to turn retrig on/off.
For more information, please see “10.7 RETRIGS” on page 42.

12. AUDIO TRACK PARAMETERS
RTIM
Repeat Time sets the retrig rate. 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two
trigs per step and so on. To do triplets, for example, set the retrig rate to 1/12 (or 1/24).
RVEL
Repeat velocity sets the velocity curve fade-out and fade-in of the retrig. -1 corresponds to a complete
fade out during the set length, -0,5 fades out to half the velocity during the set length, 0 equals a flat
velocity curve with no fade, 0.5 fades into half velocity during the set length, and 1 fades in completely to
full velocity during the set length. Please note that the effects of the RVEL setting is also dependent on
the VEL setting on TRIG PAGE 1.
COND
(Trig Condition) when you add a conditional lock, COND sets the Trig Condition with which a set of con­
ditional rules can be applied to any trig, using a conditional parameter lock. For more information, please
see “10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 45.
12.3 TRIG PAGE 2
On this page you access the portamento and set the portamento time. For more information, please see
“11.1.5 PORTAMENTO” on page 51.
PTIM
Portamento Time sets the time for the portamento.
PORT
Portamento turns the portamento on/off.
12.4 SRC PAGE
The parameters on the SOURCE page control the playback of the samples, and these parameters vary
depending on what machine is selected. The SRC machines are sound engines that use a particular subset
of the functionality of the sample playback engine. In this section, you also find the MIDI machine that lets
you control external, MIDI-equipped gear. You can assign any SRC machine to any of the eight voice tracks.
Press [FUNC] + [SRC] to select SRC machine. For more information, please see “A.2 SRC MACHINES” on
page 84.
The screenshot shows the Single Player machine.
12.5 FLTR PAGE 1
On FILTER page 1, you will find all parameters that control the Multimode filter and its associated envelope.
The Multimode filter lets you morph from a low-pass to band-pass to high-pass filter.
The parameters described here are for the Single Player, Multi Player, and the Subtracks SRC machines.
The Grainer and Shape machines have their own set of filter parameters on FLTR PAGE 1. For more infor­
mation, please see “A.2.4 GRAINER” on page 87, and “A.2.6 SHAPE” on page 93.

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