12.5 FLTR PAGE 1
12. AUDIO TRACK PARAMETERS > 12.5 FLTR PAGE 1 · PDF p. 55–56 · OS 1.3.3
# 12.5 FLTR PAGE 1 12. AUDIO TRACK PARAMETERS RTIM Repeat Time sets the retrig rate. 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two trigs per step and so on. To do triplets, for example, set the retrig rate to 1/12 (or 1/24). RVEL Repeat velocity sets the velocity curve fade-out and fade-in of the retrig. -1 corresponds to a complete fade out during the set length, -0,5 fades out to half the velocity during the set length, 0 equals a flat velocity curve with no fade, 0.5 fades into half velocity during the set length, and 1 fades in completely to full velocity during the set length. Please note that the effects of the RVEL setting is also dependent on the VEL setting on TRIG PAGE 1. COND (Trig Condition) when you add a conditional lock, COND sets the Trig Condition with which a set of con ditional rules can be applied to any trig, using a conditional parameter lock. For more information, please see “10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 45. 12.3 TRIG PAGE 2 On this page you access the portamento and set the portamento time. For more information, please see “11.1.5 PORTAMENTO” on page 51. PTIM Portamento Time sets the time for the portamento. PORT Portamento turns the portamento on/off. 12.4 SRC PAGE The parameters on the SOURCE page control the playback of the samples, and these parameters vary depending on what machine is selected. The SRC machines are sound engines that use a particular subset of the functionality of the sample playback engine. In this section, you also find the MIDI machine that lets you control external, MIDI-equipped gear. You can assign any SRC machine to any of the eight voice tracks. Press [FUNC] + [SRC] to select SRC machine. For more information, please see “A.2 SRC MACHINES” on page 84. The screenshot shows the Single Player machine. 12.5 FLTR PAGE 1 On FILTER page 1, you will find all parameters that control the Multimode filter and its associated envelope. The Multimode filter lets you morph from a low-pass to band-pass to high-pass filter. The parameters described here are for the Single Player, Multi Player, and the Subtracks SRC machines. The Grainer and Shape machines have their own set of filter parameters on FLTR PAGE 1. For more infor mation, please see “A.2.4 GRAINER” on page 87, and “A.2.6 SHAPE” on page 93. 12. AUDIO TRACK PARAMETERS ATK Attack Time sets the length of the attack phase of the filter envelope. DEC Decay Time sets the length of the decay phase of the filter envelope. SUS Sustain Level sets the sustain level of the filter envelope. REL Release Time sets the length of the release phase of the filter envelope. FREQ Frequency sets the cutoff frequency of the Multimode filter and the center frequency of the EQ. RESO Resonance sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at the cutoff frequency. TYPE Type morphs the Multimode filter from low-pass to band-pass to high-pass. ENV Env. Depth determines the amount of modulation the filter envelope applies to the cutoff frequency. The knob is bipolar, offering both negative and positive modulation depths. 12.6 FLTR PAGE 2 On FLTR page 2, you will find the parameters that control the Base-width filter and several parameters that affect the Multimode filter on FLTR page 1. The parameters described here are for the Single Player, Multi Player, and the Subtracks SRC machines. The Grainer and Shape machines do not have any FLTR PAGE 2. The Base-width filter is a high-pass filter and a low-pass filter connected in series. The filters BASE and WDTH parameters define the Base-width filter’s frequency range. Examples of how the BASE and WDTH parameters affect the filter frequency range: FREQUENCY AMPLITUDE Base Width FREQUENCY AMPLITUDE Base Width FREQUENCY AMPLITUDE Base Width • With BASE set to 0, the filter functions as a low-pass filter with WDTH adjusting the fre quency range. • With WDTH set to 127, the filter functions as a high-pass filter with BASE adjusting the frequency range. • With WDTH set to 0, the filter functions as a band-pass filter with BASE adjusting the frequency. • With BASE set to 0 and WDTH set to 127, the filter does not affect the sound.
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