12.12 MOD PAGE 1 (VOICE LFO 1)

12. AUDIO TRACK PARAMETERS > 12.12 MOD PAGE 1 (VOICE LFO 1) · PDF p. 59–60 · OS 1.3.3

ERRATUMFADE polarity is stated in reverse between MOD pages

§12.12 (VOICE LFO 1) says positive FADE values “produce a fade-out, while negative values produce a fade-in”; §12.15 (FX LFO 1) and §12.16 (FX LFO 2) print exactly the opposite polarity for the same control. Only one can be right and the manual never says which, so each parameter record repeats the wording of its own section and flags the conflict — unresolved pending hardware.

Adjudicated in AUDIT.md + §12.12

Documented error in the printed manual. This project records contradictions instead of hiding them — the note stays in English, as all source-quoting content does.

# 12.12 MOD PAGE 1 (VOICE LFO 1)

12. AUDIO TRACK PARAMETERS
All the voices generated by the track’s SRC machine share the same insert effects.
12.11 THE MODULATION PAGES
The MOD pages contain several modulators with their settings: two LFOs for the track parameters, an
envelope for the track parameters, and two LFOs for the track’s insert FX parameters.
12.12 MOD PAGE 1 (VOICE LFO 1)
The Voice Low-Frequency Oscillator 1 can be used to modulate the track parameters. Customize the
low-frequency oscillator behavior, orientation, speed, and depth on this page. This page controls the behav
ior of VOICE LFO 1
SPD
Speed sets the speed of the LFO. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob
is bipolar. The LFO cycle can be played backward by using negative values.
MULT
Multiplier multiplies the SPD parameter by the set factor, either by adjusting the current tempo (BPM
settings) or by applying a fixed tempo of 120 BPM.
FADE
Fade In/Out allows for fading in and out of the LFO modulation. The knob is bipolar. Positive values pro
duce a fade-out, while negative values produce a fade-in. 0 gives no fade-in/fade-out. (-64–63)
DEST
Destination selects the modulation destination for the LFO. Preview how the LFO modulation will affect
the sound by highlighting a destination. Press [YES] to confirm the selection. Press [NO] to cancel and
revert to previous selection. For more information, please see “APPENDIX B: LFO/MOD ENVELOPE
MODULATION DESTINATIONS” on page 113.
WAVE
Waveform sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are
bipolar. The Exponential and Ramp are unipolar.
SPH
Start Phase sets the point within the wave cycle where the LFO will start when it is trigged. 0 makes the
LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. A small square at
the start of the waveform shows that the wave cycle begins at a zero-crossing. If WAV is set to RND then
the SPH parameter changes to SLEW and adds slew to the transitions in the waveform.
MODE
Trig Mode determines how the LFO behaves when a note is triggered.
• FREE is the default free-running mode. It makes the LFO run continuously, never restarting or
stopping even if notes are trigged.
• TRIG makes the LFO restart when a note is trigged.
• HOLD makes the LFO run free in the background, but when a note is trigged, the LFO output level is
latched and held still until the next note is trigged.

12. AUDIO TRACK PARAMETERS
• ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops.
This makes the LFO function similar to an envelope.
• HALF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops.
DEP
Depth sets the depth and polarity of the LFO modulation. Both negative and positive modulation depths
are possible. A center setting, 0.00, equals no modulation depth.
12.13 MOD PAGE 2 (VOICE LFO 2)
MOD page 2 contains the same parameters as VOICE LFO page 1, but controls VOICE LFO 2.
12.14 MOD PAGE 3 (MOD ENVELOPE)
The Mod Envelope can be used to modulate track parameters. It is similar to the envelopes on the AMP and
FLTR pages but lets you route to a destination of your choice.
ATK
Attack Time sets the length of the attack phase of the amp envelope.
DEC
Decay Time sets the length of the decay phase of the amp envelope.
SUS
Sustain Level sets the sustain level of the amp envelope.
REL
Release Time sets the length of the release phase of the amp envelope.
RSET
Mod Envelope Reset sets the Mod envelope behavior:
ON resets the envelope for each consecutive trig. The envelope’s attack phase is reset to zero.
OFF does not reset the envelopes for each consecutive trig (default). The envelope’s attack phase
continues from where it was left off.
DEST
Destination selects the modulation destination for the Mod Envelope. Preview how the modulation will
affect the sound by highlighting a destination. Press [YES] to confirm the selection. Press [NO] to cancel
and revert to previous selection. For more information, please see “APPENDIX B: LFO/MOD ENVELOPE
MODULATION DESTINATIONS” on page 113.
DEP
Depth sets the depth and polarity of the Mod Envelope modulation. Both negative and positive modula
tion depth is possible. A center setting, 0.00, equals no modulation depth.
12.15 MOD PAGE 4 (FX LFO 1)
The FX Low-Frequency Oscillators can be used to modulate the parameters of the selected Insert FX 1
and 2. This page controls the behavior of FX LFO 1.
SPD
Speed sets the speed of the LFO. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob
is bipolar. The LFO cycle can be played backward by using negative values.

Chunks share pages with neighboring sections; text before/after the section heading belongs to the adjacent sections.