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13.2 TRIG PAGE

13. BUS TRACK PARAMETERS > 13.2 TRIG PAGE · PDF p. 63–64 · OS 1.3.3

ERRATUM“VFAD” is used for the parameter named RVEL

The bus, send-FX and mix TRIG pages — and the MIDI machine's TRIG PAGE 1 in §A.2.7 — head the parameter RVEL but close its description with “the effects of the VFAD setting”. VFAD is a leftover name from an earlier draft; the audio-track wording in §12.2 says RVEL throughout, and no VFAD parameter exists on Tonverk.

Adjudicated in AUDIT.md + §13.2

Documented error in the printed manual. This project records contradictions instead of hiding them — the note stays in English, as all source-quoting content does.

# 13.2 TRIG PAGE

13. BUS TRACK PARAMETERS
13. BUS TRACK PARAMETERS
The parameters that are available on the Bus tracks are explained in this chapter. For more information
about Bus tracks, please see”5.3.3 BUS TRACKS (TRACK 9–12)” on page 20. On the SRC, FLTR, and
AMP PARAMETER pages, you will find parameters for when using the Bus track to control external MI­
DI-controlled devices (if you have assigned a MIDI SRC machine to the track). For more information about
these parameters, please see “A.2.7 MIDI” on page 95. On the FX parameter pages, you have param­
eters for selecting and editing the Bus track’s FX machines, setting the send levels from the track to the
send FX, and also setting the track routing. On the MOD pages, you have two LFOs dedicated as modula­
tion sources for the track’s selected FX machines.
13.1 EDITING THE BUS TRACK PARAMETERS
Press [TRK] + [TRIG 9–12] to select the Bus track you want to edit. There are six PARAMETER pages for
the Bus tracks. Press [TRIG], [SRC], [FLTR], [AMP], [FX], and [MOD] to access the tracks PARAMETER
page groups. Use the [UP]/[DOWN] keys to access the parameter group’s pages. You can also press a
[PARAMETER PAGE] key repeatedly to cycle through that group’s parameter pages. Press and hold a [PA­
RAMETER PAGE] key to see the values for all parameters on that page.
The track parameters can be locked to other settings at any step of the pattern by first pressing and hold­
ing the [TRIG] key, then adjusting the parameter settings with the DATA ENTRY knobs.For more informa­
tion, please see “10.10.1 PARAMETER LOCKS” on page 44.
If you press [TRIG 9–12] to select a Bus track without first pressing and holding [TRK],  you
can still use the [KEYBOARD] to play the previously selected audio track. Selecting the same
Bus track again toggles editing back to the audio track.
13.2 TRIG PAGE
Here you set the options for notes that are trigged. This is also where you select trig conditions. Press the
[TRIG PARAMETERS] key to access the menu. Change settings using the DATA ENTRY knobs. These
general settings affect note trigs placed on the sequencer.
NOTE
Trig Note sets the pitch of the note when trigged. When in LIVE RECORDING mode and using the [KEY­
BOARD] to enter notes, the pitch of the [TRIG] keys played will override this setting. The NOTE parame­
ter is not available for tracks that have the Subtracks SRC machine assigned.
VEL
Trig Velocity sets the velocity of the sequencer’s note trigs.
LEN
Trig Length sets the length of the note trig. In LIVE RECORDING mode, the duration of pressing the
[TRIG] keys overrides this general setting.
PROB
Trig Probability sets the probability that the trigs on the track play or not. The probability outcome is
re-evaluated every time a trig is set to play. The default setting is 100%, meaning that all the trigs on the
track plays every time. This parameter can be parameter locked, which lets you give separate trigs their
own probability.
RTRG
Retrig enables multiple trig repeats on placed trigs. Use DATA ENTRY knob A to turn retrig on/off. For
information on how to set retrig locks on specific trigs in the sequencer, please see “10.7 RETRIGS” on
page 42.

13. BUS TRACK PARAMETERS
RTIM
Repeat Time sets the retrig rate. 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two
trigs per step and so on. To do triplets, for example, set the retrig rate to 1/12 (or 1/24).
RVEL
Repeat velocity sets the velocity curve fade-out and fade-in of the retrig. -1 corresponds to a complete
fade out during the set length, -0,5 fades out to half the velocity during the set length, 0 equals a flat
velocity curve with no fade, 0.5 fades into half velocity during the set length, and 1 fades in completely to
full velocity during the set length. Please note that the effects of the VFAD setting is also dependent on
the VEL setting on TRIG PAGE 1.
COND
(Trig Condition) when you add a conditional lock, COND sets the Trig Condition with which a set of con­
ditional rules can be applied to any trig, using a conditional parameter lock. For more information, please
see “10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 45.
13.3 SRC, FLTR, AMP PAGES
These pages show the parameters specific to the MIDI and Shape machines, depending on which one you
have selected. The SRC page is empty for the Shape machine. For more information about these parame­
ters, please see “A.2.7 MIDI” on page 95, and “A.2.6 SHAPE” on page 93.
13.4 FX PAGE 1 (TRACK ROUTING)
The FX parameter page 1 contains parameters that set the routing of the track and the send levels from the
track to the Send FX.
SND1–3
Send 1–3 sets the amount of sound sent through to Send FX 1–3. For more information, please see “14.
SEND FX TRACK PARAMETERS” on page 66.
ROUT
Routing selects where to route the audio from the selected track’s Bus. This parameter mirrors the
setting in the ROUTING menu. The routing switches for this parameter are shown with “B” in the sound
architecture illustrations For more information, please see “4. TONVERK SOUND ARCHITECTURE” on
page 17 and “4.4 THE ROUTING MENU” on page 17.
• MIX AB is the default setting and routes the audio to the MIXER and then through the Main FX to the
A/B outputs and the Headphones.
• OUT CD routes the audio directly to the C/D outputs.
• OUT EF routes the audio directly to the E/F (HEADPHONES) outputs.
13.5 FX PAGE 2 (INSERT FX 1/2)
The parameters on the FX page 2 control the audio track’s selected first insert FX machine. Press [FUNC]
+ [FX] to select FX machine. The parameters vary depending on which insert FX machine is selected. For
more information, please see “A.3 FX MACHINES” on page 98.
13.6 FX PAGE 3 (INSERT FX 2/2)
The parameters on the FX page 3 control the audio track’s selected second insert FX machine. Press
[FUNC] + [FX] to select FX machine. The parameters vary depending on which insert FX machine is select­
ed. For more information, please see “A.3 FX MACHINES” on page 98.

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