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14.2 TRIG PAGE

14. SEND FX TRACK PARAMETERS > 14.2 TRIG PAGE · PDF p. 66–67 · OS 1.3.3

# 14.2 TRIG PAGE

14. SEND FX TRACK PARAMETERS
14. SEND FX TRACK PARAMETERS
The parameters that are available on the Send FX tracks are explained in this chapter. For more informa­
tion about Send FX tracks, please see ”5.3.4 SEND FX TRACKS (TRACK 13–15)” on page 20. On the FX
parameter pages, you have parameters for selecting and editing the Send FX track’s FX machines. On the
MOD pages, you have two LFOs dedicated as modulation sources for the track’s parameters.
14.1 EDITING THE SEND FX TRACK PARAMETERS
Press [TRK] + [TRIG 13–15] to select the Send FX track you want to edit. There are three PARAMETER
pages for the SEND FX tracks. Press [TRIG], [FX], and [MOD] to access the tracks PARAMETER page
groups. Use the [UP]/[DOWN] keys to access the parameter group’s pages. You can also press a [PARAM­
ETER PAGE] key repeatedly to cycle through that group’s parameter pages. Press and hold a [PARAME­
TER PAGE] key to see the values for all parameters on that page.
The track parameters can be locked to other settings at any step of the pattern by first pressing and hold­
ing the [TRIG] key, then adjusting the parameter settings with the DATA ENTRY knobs. For more informa­
tion, please see “10.10.1 PARAMETER LOCKS” on page 44.
If you press [TRIG 13–15] to select a Send FX track without first pressing and holding [TRK],
you can still use the [KEYBOARD] to play the previously selected audio track.
14.2 TRIG PAGE
Here you set the options for notes that are trigged. This is also where you select trig conditions. Press the
[TRIG PARAMETERS] key to access the menu. Change settings using the DATA ENTRY knobs. These
general settings affect note trigs placed on the sequencer.
NOTE
Trig Note sets the pitch of the note when trigged. When in LIVE RECORDING mode and using the [KEY­
BOARD] to enter notes, the pitch of the [TRIG] keys played will override this setting. The NOTE parame­
ter is not available for tracks that have the Subtracks SRC machine assigned.
VEL
Trig Velocity sets the velocity of the sequencer’s note trigs.
LEN
Trig Length sets the length of the note trig. In LIVE RECORDING mode, the duration of pressing the
[TRIG] keys overrides this general setting.
PROB
Trig Probability sets the probability that the trigs on the track play or not. The probability outcome is
re-evaluated every time a trig is set to play. The default setting is 100%, meaning that all the trigs on the
track play every time. This parameter can be parameter locked, which lets you give separate trigs their
own probability.
RTRG
Retrig enables multiple trig repeats on placed trigs. Use DATA ENTRY knob A to turn retrig on or off. For
information on setting retrig locks on specific trigs in the sequencer, please see “10.7 RETRIGS” on page
42.
RTIM
Repeat Time sets the retrig rate. 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two
trigs per step and so on. To do triplets, for example, set the retrig rate to 1/12 (or 1/24).

14. SEND FX TRACK PARAMETERS
RVEL
Repeat velocity sets the velocity curve fade-out and fade-in of the retrig. -1 corresponds to a complete
fade out during the set length, -0,5 fades out to half the velocity during the set length, 0 equals a flat
velocity curve with no fade, 0.5 fades into half velocity during the set length, and 1 fades in completely to
full velocity during the set length. Please note that the effects of the VFAD setting are also dependent on
the VEL setting on TRIG PAGE 1.
COND
(Trig Condition) when you add a conditional lock, COND sets the Trig Condition with which a set of con­
ditional rules can be applied to any trig, using a conditional parameter lock. For more information, please
see “10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 45.
14.3 SRC, FLTR, AMP PAGES
These pages show the parameters specific to the Shape machine. The SRC page is empty for the Shape
machine. For more information about these parameters, please see “A.2.6 SHAPE” on page 93.
14.4 FX PAGE 1 (TRACK ROUTING)
The FX parameter page 1 contains parameters that sets the routing of the track and the amount .
ROUT
Routing selects where to route the audio from the selected track’s Bus. This parameter mirrors the
setting in the ROUTING menu. The routing switches for this parameter are indicated by the letter “C” in
the sound architecture illustrations. For more information, please see “4. TONVERK SOUND ARCHITEC­
TURE” on page 17, and “4.4 THE ROUTING MENU” on page 17.
• MIX AB is the default setting and routes the audio to the MIXER and then through the Main FX to the
A/B outputs and the Headphones.
• OUT CD routes the audio directly to the C/D outputs.
• OUT EF routes the audio directly to the E/F (HEADPHONES) outputs.
14.5 FX PAGE 2 (SEND FX)
The parameters on the FX page 2 control the track’s selected send FX machine. The FX machines selected
on tracks 13–15 are the ones you send sound to from the Audio and Bus tracks using the SND1–3 parame­
ters. Press [FUNC] + [FX] to select the FX machine. The parameters vary depending on the selected insert
FX machine. For more information, please see “A.3 FX MACHINES” on page 98.
14.6 MOD PAGE 1 (LFO 1)
The Low-Frequency Oscillator 1 is used to modulate the track’s parameters. Customize the LFO behavior,
orientation, speed, and depth on this page. This page controls the behavior of LFO 1. The parameters on
this page are the same as on the Audio track’s MOD PAGE 1. For more information, please see “12.12 MOD
PAGE 1 (VOICE LFO 1)” on page 59.
14.7 MOD PAGE 2 (LFO 2)
The Low-Frequency Oscillator 2 is used to modulate the track’s parameters. Customize the LFO behavior,
orientation, speed, and depth on this page. This page controls the behavior of LFO 2. The parameters on
this page are the same as on the Audio track’s MOD PAGE 1. For more information, please see “12.12 MOD
PAGE 1 (VOICE LFO 1)” on page 59.

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