← Search

15.2 TRIG PAGE

15. MIX TRACK PARAMETERS > 15.2 TRIG PAGE · PDF p. 68–69 · OS 1.3.3

# 15.2 TRIG PAGE

15. MIX TRACK PARAMETERS
15. MIX TRACK PARAMETERS
The parameters that are available on the Mix track are explained in this chapter. For more information about
Mix track, please see “5.3.5 MIX TRACK (TRACK 16)” on page 20.  On the Mix track, you have several
different settings related to external audio, track mixing, the main effect, and you also have two LFOs as
dedicated modulation sources for a number of the track’s parameters.
15.1 EDITING THE MIX TRACK PARAMETERS
Press [TRK] + [TRIG 16] to select the Mix track. There are five PARAMETER pages for the Mix track. Press
[TRIG], [SRC], [AMP], [FX], and [MOD] to access the tracks PARAMETER page groups. Use the [UP]/
[DOWN] keys to access the parameter group’s pages. You can also press a [PARAMETER PAGE] key re­
peatedly to cycle through that group’s parameter pages. Press and hold a [PARAMETER PAGE] key to see
the values for all parameters on that page.
The track parameters can be locked to other settings at any step of the pattern by first pressing and hold­
ing the [TRIG] key, then adjusting the parameter settings with the DATA ENTRY knobs. For more informa­
tion, please see “10.10.1 PARAMETER LOCKS” on page 44.
If you press [TRIG 16] to select the Mix track without first pressing and holding [TRK],  you
can still use the [KEYBOARD] to play the previously selected audio track.
15.2 TRIG PAGE
Here you set the options for notes that are trigged. This is also where you select trig conditions. Press the
[TRIG PARAMETERS] key to access the menu. Change settings using the DATA ENTRY knobs. These
general settings affect note trigs placed on the sequencer.
NOTE
Trig Note sets the pitch of the note when trigged. When in LIVE RECORDING mode and using the [KEY­
BOARD ] to enter notes, the pitch of the [TRIG] keys played will override this setting. The NOTE parame­
ter is not available for tracks that have the Subtracks SRC machine assigned.
VEL
Trig Velocity sets the velocity of the sequencer’s note trigs.
LEN
Trig Length sets the length of the note trig. In LIVE RECORDING mode, the duration of pressing the
[TRIG] keys overrides this general setting.
PROB
Trig Probability sets the probability that the trigs on the track play or not. The probability outcome is
re-evaluated every time a trig is set to play. The default setting is 100%, meaning that all the trigs on the
track plays every time. This parameter can be parameter locked which lets you give separate trigs their
own probability.
RTRG
Retrig enables multiple trig repeats on placed trigs. Use DATA ENTRY knob A to turn retrig on/off. For
information on setting retrig locks on specific trigs in the sequencer, please see “10.7 RETRIGS” on page
42.
RTIM
Repeat Time sets the retrig rate. 1/16 is the nominal retrig rate, one trig per step. 1/32 corresponds to two
trigs per step and so on. To do triplets, for example, set the retrig rate to 1/12 (or 1/24).

15. MIX TRACK PARAMETERS
RVEL
Repeat velocity sets the velocity curve fade-out and fade-in of the retrig. -1 corresponds to a complete
fade out during the set length, -0,5 fades out to half the velocity during the set length, 0 equals a flat
velocity curve with no fade, 0.5 fades into half velocity during the set length, and 1 fades in completely to
full velocity during the set length. Please note that the effects of the VFAD setting is also dependent on
the VEL setting on TRIG PAGE 1.
COND
(Trig Condition) when you add a conditional lock, COND sets the Trig Condition with which a set of con­
ditional rules can be applied to any trig, using a conditional parameter lock. For more information, please
see “10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 45.
15.3 SRC PAGE
On this page you control aspects related to the incoming audio from extrnal sources (USB and IN A/B).
IN A/IN B
The level parameters set the level of the incoming audio from the USB and IN A/B inputs.
APAN/BPAN
The pan parameters position the audio from USB and IN A/B in the stereo field. The knob function is
bipolar with 0 being the balanced midpoint, L64 sends all sound to the left channel and R63 sends all
sound to the right.
ROUT/ROUT
The routing parameters select where to route the audio from USB and IN A/B. This parameter’s routing
switches are shown with “A” in the sound architecture illustrations. For more information, please see “4.
TONVERK SOUND ARCHITECTURE” on page 17 and “4.4 THE ROUTING MENU” on page 17.
• MIX AB is the default setting and routes the audio though the Main FX to the A/B outputs and the
Headphones.
• OUT AB routes the audio to the AB outputs and the Headphones without going through the Mixer
and Main FX.
• OUT CD routes the audio directly to the C/D outputs.
• OUT EF routes the audio directly to the E/F (HEADPHONES) outputs.
• BUS 1–4 routes the audio to Bus 1–4)
• TRK 1–8 routes the audio to Track 1–8)
15.4 FLTR PAGE
HP.MON
Here you set the level of the audio sent from the mixer to the headphones (Output EF). You can find this
parameter’s position in the signal flow, shown with an “E”, in the sound architecture illustrations. For more
information, please see “4. TONVERK SOUND ARCHITECTURE” on page 17.

Chunks share pages with neighboring sections; text before/after the section heading belongs to the adjacent sections.