10.10 SEQUENCER FEATURES
10. THE SEQUENCER > 10.10 SEQUENCER FEATURES · PDF p. 44–47 · OS 1.3.3
# 10.10 SEQUENCER FEATURES 10. THE SEQUENCER The TRACK column sets the step length (number of sequencer steps) and scale (speed) of the track playback. The settings only affect the active track. The PATTERN column sets the master change length and the master reset length of the pattern, both measured in sequencer steps. LENGTH sets the number of steps on the current pattern page. The leftmost number displays the number of steps on the active pattern page. If you use 17 steps or more in a pattern and GRID RE CORDING mode is active, the [PAGE] key is used to toggle between the different pattern pages. Press [FUNC] and then turn data entry knob E to change length in even steps of 16. SCALE controls the speed of track playback in multiples of the current tempo. For a setting of 1/8 plays back the track at one-eighth of the set tempo. 3/4 plays the track back at three-quarters of the tempo; 3/2 plays back the track twice as fast as the 3/4 setting. 2 makes the track play at twice the speed of the BPM. • The SCALE setting also affects the speed of all LFOs, the delays time settings, the arpeggiator and retrig speed. • A SCALE setting of 2 helps increase the base resolution of the step sequencer to 32nd notes. A SCALE setting of 3/4 is practical when Tonverk is playing alongside other instruments set to the same BPM, and you want Tonverk to play triplets. CHANGE (Pattern Change) controls for how long the active pattern plays before it changes to a cued or chained pattern. RESET (Pattern Reset) controls the number of steps the pattern plays before all tracks reset and re start from the first step on the first page. An INF setting makes the tracks of the pattern loop infinitely, without ever being restarted. Note that this setting also affects how long the active pattern plays before a chained pattern starts playing. The CHANGE parameter overrides this if its parameter value is less than the RESET value. 10.10 SEQUENCER FEATURES 10.10.1 PARAMETER LOCKS Parameter locks make it possible to set every trig to have its unique parameter values. The note trigs of an audio track can, for example, have different pitch, amp, or filter settings. It is possible to parameter lock the parameters found on the PARAMETER pages, and you can apply parameter locks to all types of tracks. For a complete overview of all parameters on the PARAMETER pages, please see “12. AUDIO TRACK PARAMETERS” on page 54 and “APPENDIX A: MACHINES” on page 84. Adding parameter locks in GRID RECORDING mode. 1. Press [RECORD] to enter GRID RECORDING mode. 2. Press a [TRIG] key to add a Note trig, or [FUNC] + [TRIG] key to add a Lock trig, to where you want to perform a parameter lock. 3. Press and hold the [TRIG] key of a previously placed trig (note trig or a lock trig). 4. Turn the DATA ENTRY knobs that control the parameter you want to lock, and set it to the desired value. The graphics become inverted for the locked parameter, and the locked parameter value is displayed. The [TRIG] key of the locked trig blinks red (for note trigs) or yellow (for lock trigs) to indicate the trig now contains a parameter lock. Remove a single parameter lock by holding [TRIG] + pressing the DATA ENTRY knob of the locked pa rameter. You can erase all parameter locks from a trig if you remove the note trig and then enter it again. Adding parameter locks in LIVE RECORDING mode. 1. Press and hold [RECORD], then press [PLAY] to enter LIVE RECORDING mode. 10. THE SEQUENCER 2. Turn a DATA ENTRY knob, or play the [TRIG] keys in KEYBOARD mode, to add parameter locks to the active track. Note trigs are placed, and parameter locked accordingly, and it also places lock trigs that contain the parameter locks on the sequencer steps that do not already have any trigs. In GRID RECORDING mode, pressing and holding a [TRIG] key with parameter locks caus es the [PARAMETER PAGE] key(s) containing the locked parameter to blink. 10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS Trig conditions are a set of rules you can apply to any trig using special parameter locks called condi tional locks. Each rule determines whether a trig on a sequencer track will play or not — if the condition is met, the trig plays; if not, it doesn’t. This is a great way to create variations in your sequence, going beyond simply letting the sequencer play the same trigs every time. ADDING A CONDITIONAL LOCK 1. In GRID RECORDING mode, place a note trig or lock trig on the sequencer step to where you want to apply a conditional lock. 2. Press and hold the trig to access the COND (Trig Condition) parameter on TRIG PAGE 1. For more information, please see “12.2 TRIG PAGE 1” on page 54. 3. Turn DATA ENTRY knob H to select one of the following trig conditions: FILL The trig plays when FILL mode is active. FILL The trig plays when FILL mode not active. PRE The trig plays only when the previously evaluated trig on the same track has been played. (PRE and PRE conditions are not evaluated and are ignored. The sequencer instead evaluates the last non- PRE or PRE trig.) PRE Trig doesn’t play if the previously evaluated trig has been played. (PRE and PRE conditions are not evaluated and are ignored. The sequencer instead evaluates the last non-PRE or PRE trig.) For example: Trig 1 Probability = 50% (Trig 1 plays) Trig 2 Condition = PRE (Trig 2 plays) Trig 3 Condition = PRE (Trig 3 plays) Trig 4 Condition = PRE (Trig 4 does not play) NEI The trig plays if the most recently evaluated trig condition on the neighbor track was met. (PRE and PRE conditions are not evaluated and are ignored. The sequencer instead evaluates the last non- PRE or PRE trig.) The neighbor track is the track before the active track. For example, track 3 is the neighbor track of track 4. NEI and NEI conditional trigs on track 4 therefore evaluate the conditional trigs placed on track 3. If no conditional trigs exist on the neighbor track the NEI condition is not met and will never play the trig. NEI The trig plays if the most recently evaluated trig condition on the neighbor track was not met. (PRE and PRE conditions are not evaluated and are ignored. The sequencer instead evaluates the last non-PRE or PRE trig.) 1ST The trig only plays on the first loop of the pattern. 1ST The trig does not play on the first loop of the pattern but on all consecutive loops. A:B A sets how many times the pattern (or track, if the track length is shorter than the pattern length) plays before the trig condition is met. B sets how many times it plays before the count resets and starts over. This cycle repeats until you stop the sequencer. For example: With the setting 1:2, the trig plays the first time the pattern is played and then the third, the fifth, and so on. With the setting 2:2, the trig plays the second time the pattern is played and then the fourth, the sixth, and so on. With the setting 2:4, the trig plays the second time the pattern is played and then the sixth, the tenth, and so on. With the setting 4:7 the trig plays the fourth time the pattern is played and then the eleventh, the eigh teenth, and so on. A:B The trig with this condition plays when the set A:B condition of pattern plays are not met. 10. THE SEQUENCER For example: With the setting 2:4, the trig does not play the second time the pattern plays and then not on the sixth, the tenth, and so on. Conditional parameter locks are a great way to add variety to a pattern. To set up a grid of mutually exclusive or conclusive note trigs across any of the tracks, and adding some probability locks in there as well (perhaps, in turn, also sporting an array of logically conditioned trigs), is a neat way to make the most minimal of compositions come alive with randomness. • The sequencer must be in FILL mode to activate the FILL and FILL conditional locks. For more information, please see “10.10.3 FILL MODE” on page 46. • FILL trig conditions may also be used, for example, to have two different melodic or percussive sequences on the same track, one of which is activated only when FILL mode is active. 10.10.3 FILL MODE FILL mode can be used to create a temporary variation, such as a drum fill, in your pattern by activating the trigs that have a FILL conditional lock. For more information, please see “10.10.2 TRIG CONDITIONS AND CONDITIONAL LOCKS” on page 45. You set the FILL mode behavior in the FILL EDIT menu. Press [FUNC] + [FILL] to open the FILL EDIT menu. Use [UP]/[DOWN] to select FILL mode option you want. Press [YES] to close the FILL EDIT menu. The two options are: MOMENTARY FILL mode is active for as long as you press and hold [FILL]. LATCHING Press [FILL] to toggle FILL mode on/off. 10.10.4 COPY, PASTE, AND CLEAR OPERATIONS Patterns, tracks, track pages, parameter pages, and trigs can be copied, pasted, and cleared. The active pattern can be copied to another location in the same bank or another bank. To perform a pattern copy operation, GRID RECORDING mode must be deactivated. Copy the pattern by pressing [FUNC] + [RECORD]. Select another pattern, and then press [FUNC] + [STOP] to paste the copied pat tern to this location. Press [FUNC] + [PLAY] and then [YES] in the confirmation pop-up window to clear all the trigs in the current pattern. Individual sequencer tracks can be copied, pasted, and cleared in the same way as patterns. To do so, GRID RECORDING mode must be active. Press [FUNC] + [RECORD] to copy the track’s trigs. Select another track and then press [FUNC] + [STOP] to paste the copied trigs to this location. Press [FUNC] + [PLAY] to clear all the tracks’s trigs in the current pattern. It’s also possible to copy, paste, or clear all trigs across all eight subtracks (and the supertrack) on a track that uses a Subtracks machine. In STEP EDIT mode: Press [FUNC] + [RECORD] to copy all trigs from the eight subtracks and the supertrack. Select another track that also uses a Subtracks machine, then press [FUNC] + [STOP] to paste the copied trigs there. Press [FUNC] + [PLAY] to clear all trigs from the eight subtracks and the supertrack in the current pattern. A single track page’s trigs can also be copied, pasted, and cleared. It is similar to copying, pasting, or clearing a track, but will only affect the active track page. In GRID RECORDING mode press the [PAGE] key to select the track page you wish to copy. Press [PAGE] + [RECORD] to copy. Select a new track page and press [PAGE] + [STOP] to paste. Press [PAGE] + [PLAY] to clear the active track page. You can also copy, paste, and clear a track’s preset (the settings on the [PARAMETER PAGES]). Press [TRK] + [RECORD] to copy. Select a new track and press [TRK] + [STOP] to paste the preset. Press [TRK] + [PLAY] to reset the preset’s parameters. A single parameter page with all its settings may also be copied, pasted, and cleared. Select the param eter page you wish to copy by pressing a [PARAMETER PAGE] key. Copy by pressing [PARAMETER PAGE] + [RECORD]. Select a new track and then press the same [PARAMETER PAGE] page + [STOP] to paste. Press [PARAMETER PAGE] + [PLAY] to clear the parameter page and reset the parameters to their default settings. Trigs, complete with all parameter lock settings, can be copied, pasted, and cleared as well. GRID RECORDING mode needs to be active to access this functionality. Press and hold a trig and press [RECORD] to perform the copy operation. Paste by holding another [TRIG] key and press [STOP]. It is also possible to copy more than one trig. Press and hold the trigs you wish to copy, and then press [RE CORD]. Press and hold the [TRIG] key to where you want to paste, and then press [STOP] to paste the copied sequence of trigs. When pasting, the copied trigs are placed in the same relation to each other 10. THE SEQUENCER as they had when they were copied. The destination trig acts as the starting point for the sequence of copied trigs. Press and hold one or more trigs, and then press [PLAY] to clear trig locks. 10.10.5 UNDO/REDO It is possible undo and redo the Paste/Clear operations in regards to patterns, track sequences, and sequencer pages, parameter pages, and track sounds. If you have pasted or cleared a pattern, track sequence, sequencer page, parameter page, or track preset you can press [FUNC] + [NO] to undo this operation. If you change your mind after performing undo you can press [FUNC] + [YES] to redo the operation Please note that it is not posssible to undo/redo the clearing of track presets. 10.10.6 TEMPORARY MEMORIZE AND RECALL PATTERN Patterns can be instantly memorized in a temporary memory space and then recalled from this space. • Press [FUNC] + [D1#] to temporarily memorize the active pattern. This is useful for creating a restore point when you are live tweaking, but without permanently saving your changes. • Press [FUNC] + [C1#] to recall a pattern that was previously temporarily memorized. It will recall the pattern from when you last used the temporary memorize command. The TEMPORARY MEMORIZE PATTERN and TEMPORARY RECALL PATTERN commands are great when improvising live. Any changes made to the active pattern can immediately be undone. And at the same time, the memorizations and recalls will not affect the pattern permanently. The TEMPORARY MEMORIZE PATTERN command will not save the pattern permanently, and any changes will be lost if you load another project or switch off the device. 10.10.7 TRACK TRANSPOSE You can use this functionality to transpose all the note trigs on the active track. 1. Press [FUNC] + [+] to initiate track transpose. 2. Press the [KEYBOARD] keys to transpose the track’s note trigs. Use the [+]/[−] keys to access other octaves on the [KEYBOARD]. 3. Press [NO] to exit track transpose. You can also press [TRK] + [+]/[-] to transpose the active track up/down in semitones. • These transpositions are non-destructive and do not change the trig’s NOTE values. • Pressing the [KEYBOARD] key used to select the transposition again resets the trans position to 0. 10.11 SONG MODE A song is an arrangement of patterns set up to play in sequence. Each row in the SONG mode arrangement can have separate settings for pattern, row repeat, row length, and tempo. A song can be up to 99 rows in length, and each project can contain up to 16 songs. 10.11.1 THE SONG EDIT SCREEN Press [SONG] and then press [TRIG 1–16] to select a song and enter SONG mode. Press [SONG] again and then press [RIGHT] to open the SONG EDIT screen. Use the [ARROW] keys to navigate the song rows and columns, highlighting the parameter you wish to edit, and then use LEVEL/DATA or any DATA ENTRY knob to edit the selected function.
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