12.7 AMP PAGE
12. AUDIO TRACK PARAMETERS > 12.7 AMP PAGE · PDF p. 57–58 · OS 1.3.3
# 12.7 AMP PAGE 12. AUDIO TRACK PARAMETERS DEL Envelope delay sets the time before the attack phase of the filter envelope starts. This parameter is part of the filter envelope that controls the FLTR machine. You can also press and hold [FUNC] and then turn DATA ENTRY knob A to access this parameter from FLTR page 1 quickly. This parameter only affects the Multimode filter on FLTR page 1. SPRD Frequency Spread offsets the filter cutoff frequency in the left and right channels. KEY.T Keytrack sets how much the filter cutoff frequency is affected by what note is playing. The higher the KEY.T setting, the more the filter opens up at higher notes. This parameter is only available for the Single Player and Multi Player machines. BASE Sets the base frequency of the filter. WIDTH Sets the frequency width above the base frequency. RSET Envelope Reset sets the filter envelope behavior. This parameter only affects the Multimode filter on FLTR page 1. ON resets the envelope for each consecutive trig. The envelope’s attack phase is reset to zero. OFF does not reset the envelope for each consecutive trig (default). The envelope’s attack phase con tinues from where it was left off. 12.7 AMP PAGE The AMP page controls parameters for the amplitude envelope, panning, and volume. ATK Attack Time sets the length of the attack phase of the amp envelope. HOLD Hold Time sets the length of the hold phase of the amp envelope. Fixed Hold time values (0–126) specify the length of the hold phase, and the envelope ignores Note Off events such as Trig Length, releasing a [TRIG] key, or a key on an external controller. Setting HOLD to NOTE means the hold phase will be determined by Note On and Note Off events. This parameter is only available if ENVELOPE MODE in the TRACK SETUP menu is set to AHD. If you set HOLD to NOTE and use an external keyboard to trigger the envelope, the sound will be sustained (if DEC is set to a value less than 127) for as long as you press a key on the keyboard. DEC Decay Time sets the length of the decay phase of the amp envelope. When ENVELOPE MODE is set to AHD, DECAY works as the REL parameter, defining the time from end of HOLD to 0. SUS Sustain Level sets the sustain level of the amp envelope. This parameter is only available if ENVELOPE MODE in the TRACK SETUP menu is set to ADSR. 12. AUDIO TRACK PARAMETERS REL Release Time sets the length of the release phase of the amp envelope. This parameter is only available if ENVELOPE MODE in the TRACK SETUP menu is set to ADSR. OVER Overdrive sets the amount of overdrive and clipping distortion of the signal entering the filter. PAN Pan positions the audio of each voice in the stereo field. The knob function is bipolar with 0 being the balanced midpoint, L64 sends all sound to the left channel and R63 sends all sound to the right. VOL Volume sets the volume amount of the amplifier. Unlike the track level (LEV), this parameter can be parameter locked and is saved with the preset. For the Subtracks machine, this parameter sets the amp level for every separate subtrack. Press [TRIG] + [AMP] to access the TRACK SETUP menu and use the ENVELOP MODE setting to select if you want the AMP envelope to be in ADSR or AHD mode. 12.8 FX PAGE 1 (TRACK ROUTING) The FX parameter page 1 contains parameters that sets the routing of the track and the send levels from the track to the Send FX. SND1–3 Send 1–3 sets the amount of sound sent through to Send FX 1–3. For more information, please see “14. SEND FX TRACK PARAMETERS” on page 66. ROUT Routing selects where to route the audio of the selected track. This parameter mirrors the setting in the ROUTING menu. The routing switches for this parameter are shown with “A” in the sound architecture illustrations. For more information, please see “4. TONVERK SOUND ARCHITECTURE” on page 17, and “4.4 THE ROUTING MENU” on page 17. • MIX AB is the default setting and routes the audio to the MIXER and then through the Mix FX to the A/B outputs and the Headphoness. • OUT CD routes the audio directly to the C/D outputs. • OUT EF routes the audio directly to the E/F (HEADPHONES) outputs. • BUS 1–4 routes the audio to Bus 1–4. 12.9 FX PAGE 2 (INSERT FX 1/2) The parameters on the FX page 2 control the audio track’s selected first insert FX machine. Press [FUNC] + [FX] to select FX machine. The parameters vary depending on which FX machine is assigned. For more information, please see “A.3 FX MACHINES” on page 98. 12.10 FX PAGE 3 (INSERT FX 2/2) The parameters on the FX page 3 control the audio track’s selected second insert FX machine. Press [FUNC] + [FX] to select FX machine. The parameters vary depending on which FX machine is assigned. For more information, please see “A.3 FX MACHINES” on page 98.
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