9.6 THE SETUP MENU

9. PATTERNS, KITS AND PRESETS > 9.6 THE SETUP MENU · PDF 第 35–39 · OS 1.10D

# 9.6 THE SETUP MENU

9. PATTERNS, KITS AND PRESETS
9.4 EDITING A PRESET
Select a track for editing by pressing [TRK] + one of the [TRIG 1–16] keys. When editing the settings of the
track, any changes made will be stored as part of the active pattern.
Adjust the overall volume level of the active audio track with the LEVEL/DATA knob. This setting is saved as
part of the kit.
Edit a preset by adjusting the parameters found on the PARAMETER pages. Access these pages by
pressing a [PARAMETER] page key. Use the DATA ENTRY knobs A-H to change the parameters. For more
information, please see “11. TRACK PARAMETERS” on page 57.
The complete preset, with all its parameter settings may be copied to another track. Press [TRK] + [TRIG
1–16] + [RECORD], and then press [TRK] + [TRIG 1–16] + [STOP] to paste the preset to the selected track.
9.5 SAVING A PRESET
After you edited the parameters of a preset, you can save it to the +Drive.
1. Press [PRESET/KIT] to open the PRESET/KIT menu.
2. Select PRESET > SAVE, and then press [YES].
3. Turn the LEVEL/DATA knob or use the [UP]/[DOWN] keys to select an empty slot to where you want
to save your preset, and then press [YES].
4. On the NAMING screen, name your preset and then press [YES]. For more information, please see
“6.5 THE NAMING SCREEN” on page 19.
5. On the TAGS screen, use the [ARROW] keys and [YES] key to select the appropriate tags for your
preset, and then select <SAVE> and press [YES].
9.6 THE SETUP MENU
Press [FUNC] + [FLTR] to open the SETUP menu. Here you can set a number of track and kit related pa
rameters. Use the [UP] and [DOWN] arrow keys to move between the options. Press [YES] to confirm your
selection. Press [NO] to exit the menu.
9.6.1 KIT
Here you can select which tracks that should be affected by control all and set up the track routing to
the compressor.
CONTROL ALL CONFIG
Use the [TRIG] keys to select which tracks that you want to be affected by the control all functionality.
MIDI tracks can not be selected. For more information, please see “6.2.2 CONTROL ALL” on page
19.
• Control all operations also affects the active track, whether it is selected to be
affected or not.
• The control all functionality is not available for the MIDI tracks.

9. PATTERNS, KITS AND PRESETS
COMPRESSOR ROUTING
Use the [TRIG] keys to select which tracks, inputs and effects that you want to be affected by the
compressor. MIDI tracks can not be selected. Use the [UP]/[DOWN] to navigate between the two
pages.
TRACK LAYERING
Track Layering makes it possible to trig two or more tracks with the same note from the sequencer or
the keyboard. For example, if you set track 1 to trigger track 2 then every note you play on track 1 also
plays on track 2, effectively playing two presets at the same time. However, the layering will not cas
cade trigs. If track 3 is set to be triggered by track 2, and track 2 is set to be triggered by track 1, trigs
placed track 1 will not trigger track 3. Tracks that are layered to the active track have filled squares in
the parameter representation on the screen.
Use [FUNC] + [TRK] to select the active track, then use the [TRIG] keys to select which tracks that
will be layered to the active track.
PATTERN TRANSPOSE CONF
Use the [TRIG] keys to select/deselect which tracks that you want to be affected by pattern transpose.
TRACK SWAP
Use the [TRIG] keys to swap two tracks together with all settings, presets, and sequencer data and
make them change places with each other. Press and hold the two tracks [TRIG] keys untill the screen
reads “TRACKS X AND X SWAPPED”.

9. PATTERNS, KITS AND PRESETS
9.6.2 TRACK
Here you can set a number of track related parameters. Use [UP] and [DOWN] to move between the
options. Use [LEFT] and [RIGHT] to select settings or press [YES] to open sub-menus. Press [NO] to
exit the menu.
PLAY MODE
Here you can set if a preset is poly- or monophonic and if the LFOs for every voice are synced or not.
POLY The Sound is polyphonic, and the LFOs for each voice are running independently of each
other.
POLY M.LFO In POLYPHONIC WITH MONO LFO mode, the preset is polyphonic, and the LFOs for
each voice are synced together with the first voice LFO. The LFO of the first voice played deter
mines the cycle of the LFOs, and the subsequently played voices’ LFOs are synced to this cycle.
This makes the LFO behave like a single or monophonic LFO. This is useful, for example, if you want
to use the LFO for a tremolo effect.
MONO The preset is monophonic, and the envelope is always triggered by each note on/key press.
MONO LEG. In MONO LEGATO mode, the preset is monophonic, but the envelopes are not trig
gered by a subsequent note on/key press if the first note is still held.
The number of voices used to play a preset is also affected by the LOCKED VOICES
setting in the VOICE MENU. For more information, please see “10.7 VOICE SETUP
MENU” on page 47.
MONO NOTE PRIO
Here you can set the note priority, i.e., what note is played if more than one note is played at the same
time. This setting is only available If PLAY MODE is set to MONO or MONO LEG.
LAST gives priority to the last note played.
LOW gives priority to the lowest note played.
HIGH gives priority to the highest note played.
VELOCITY TO VOL
Selects how MIDI velocity affects volume when playing the preset from a MIDI keyboard.
OFF means velocity does not affect the volume of the sound.
LOG applies a logarithmic velocity curve. The volume difference are greater between softer key
board presses than between harder.
LIN applies a linear velocity curve. The volume difference between keyboard presses corresponds
linearly to the force applied.
EXP applies an exponential velocity curve. The volume difference are greater between harder
keyboard presses than between softer.
EXP 2 applies an exponential velocity curve. The volume difference are greater between harder
keyboard presses than between softer. The EXP 2 curve has a higher starting point, meaning that a
low velocity has a higher impact on the volume than on EXP.
OCTAVE
Sets the base octave of the preset. It also makes preset locking more practical since you can control
the octave setting on the preset and minimize the need to transpose the sequencer notes to make
two or more presets work together.
PITCH BEND DEPTH
Sets how much the pitch bend data from external MIDI devices affects the Digitone II.

9. PATTERNS, KITS AND PRESETS
PORTAMENTO
Here you find settings related to the portamento. For more information, please see “11.3 TRIG PAGE 2”
on page 58.
TYPE
TRACK When you play notes, the pitch glides from the pitch of the last note played to the next
new note played on the track.
VOICE When you play notes, the pitch glides from the pitch of the last note played by a specific
voice to the pitch of the next new note played by the same voice.
LEGATO ONLY When playing notes, the pitch glides from the pitch of the last note played and
held (the key pressed down and not yet released) to the pitch of the next new note played on
the track.
SLOPE
CONSTANT RATE The pitch glides linearly at a constant rate. Longer glides take longer time to
complete.
CONSTANT TIME The pitch glides linearly, but the glide is completed in a specific time, regard
less of the interval between the start and end notes. Glides over wider note intervals, therefore,
have a higher rate.
AMOUNT
This setting enables partial glides where just the final part of the interval is included in the glide. For
example, a setting of 100 gives a full glide from start to finish. Lower values start the glide closer to
the goal pitch.
STYLE
GLIDE Ordinary continuous portamento.
GLISSANDO Quantizes the portamento to semitones.
GATING
OFF The glide continues after the key is released.
ON The glide stops when the key is released.
KEY TRACKING
Opens a menu where you can assign up to four parameters to the key tracking. Both the NOTE
parameter on the TRIG menu and the key track information from incoming MIDI sent to the Digitone II
from external devices affects the assigned parameters. Press [YES] to open the menu.
You can select parameters from the SYN, FLTR, AMP, FX, and MOD PARAMETER pages. Turn the
DATA ENTRY knobs A–D to select the track parameters that you wish to assign. Press [YES] to con
firm the selection. Then use DATA ENTRY knobs E–H to set the modulation depth of the four track
parameters. The depth is an offset of the original track parameter value.
Turn LEVEL/DATA to test your settings.
For key tracking, all modulation are centered around middle C (C5). A positive modula
tion value increases the parameter value when playing above C5 and decreases when
you play a key below C5. A negative modulation value inverts this behavior.
For example: With a modulation value set to 8, each consecutive note changes the pa
rameter value by 1. With a modulation value set to 127, each consecutive note changes
the parameter value by 16, meaning that you reach the full parameter rage in 8 notes

9. PATTERNS, KITS AND PRESETS
VELOCITY MOD
Opens a menu where you can assign up to four parameters to the velocity parameter. Both the VEL
parameter on the TRIG menu and the velocity of incoming MIDI notes sent to the Digitone II from ex
ternal devices affects the assigned parameters. Press [YES] to open the menu. Selecting parameters
and setting modulation depth works in the same way as for KEY TRACKING.
AFTERTOUCH
Opens a menu where you can assign up to four parameters to the MIDI aftertouch command. Press
[YES] to open the menu. Selecting parameters and setting modulation depth works in the same way
as for KEY TRACKING.
PITCH BEND
Opens a menu where you can assign up to four parameters to the MIDI pitch bend command. Press
[YES] to open the menu. Selecting parameters and setting modulation depth works in the same way
as for KEY TRACKING.
MODULATION WHEEL
Opens a menu where you can assign up to four parameters to the MIDI mod wheel command (CC #1).
Press [YES] to open the menu. Selecting parameters and setting modulation depth works in the same
way as for KEY TRACKING.
BREATH CTRL
Opens a menu where you can assign up to four parameters to the MIDI breath controller command
(CC #2). Press [YES] to open the menu. Selecting parameters and setting modulation depth works in
the same way as for KEY TRACKING.
RENAME
Opens the NAMING menu and let you rename the preset of the active track.
9.7 ARPEGGIATOR MENU
The ARPEGGIATOR menu controls the preset's arpeggiator. These settings are part of the preset and
saved together with the preset. The arpeggiator is not available for the MIDI tracks. Press [ARPEGGIATOR]
to open the ARPEGGIATOR menu. Press [TRIG 1–16] to select the presets whose arpeggiator are edited.
Press [FUNC] + [ARPEGGIATOR] to toggle the ARPEGGIATOR on and off.
9.7.1 MODE
Activates the arpeggiator and controls how the arpeggiated notes are sorted.
OFF deactivates the arpeggiator.
TRUE plays the notes in the same order as they are inserted.
UP plays the notes in ascending order, from the lowest note to the highest, on a per octave basis.
DOWN plays the notes in descending order, from the highest note to the lowest, on a per octave basis.
CYCL plays the notes first in ascending order, then in descending order.
9.7.2 SPEED
Speed sets the speed of the arpeggiator. The options are synchronized to the BPM of the project.
9.7.3 RANGE
Range sets the octave range of the arpeggiator. After each completed arpeggiator cycle, the arpeggiat
ed notes are transposed one octave up. When the notes have reached the octave offset specified by the
RANGE setting the notes are reset to their initial values. From there the octave transpose is started all
over again.

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