12.3 REVERB
12. FX AND MIXER PARAMETERS > 12.3 REVERB · PDF 第 66–67 · OS 1.10D
# 12.3 REVERB 12. FX AND MIXER PARAMETERS X Ping-pong sets the delay signal to alternate across the stereo field. There are two settings: • OFF lets you manually set the position of the delay signal in the stereo field. Use the WID parameter to change the stereo field position. • ON makes the delay signal alternate between left and right pan positions. The WID parameter controls the amount of panning. WID Stereo Width sets the delay signal pan width across the stereo field. The knob is bipolar. FDBK Feedback Gain sets the amount of delay output signal to feed back into the input of the delay. With high er parameter settings, infinite and/or swelling delays are possible. Please be aware that high feedback can lead to a very loud signal. VOL Delay Volume sets the volume of the Delay output signal. Use LEVEL/DATA to set this parameter. HPF HPF sets the cutoff frequency of the delay highpass filter. LPF LPF sets the cutoff frequency of the delay lowpass filter. REV Reverb Send sets the amount of Delay output signal to be sent to the Reverb. 12.3 REVERB (SEND FX PAGE 2) The Reverb send effect controls the persistence, and ambient characteristics, of the sound reverberations. It can simulate many different sonic locations, from huge spaces to small rooms. PRE Pre-delay sets the pre-delay time of the Reverb. DEC Decay Time sets the length of the decay phase of the reverberated signal, essentially setting the size of the simulated acoustic space. FREQ FB Shelving Freq sets the shelving filter frequency. Together with the GAIN parameter, it can be used to dampen the reverberated signal above a chosen frequency, making the reverberation sound more promi nent or more muffled. GAIN FB Shelving Gain affects the damping of the reverberated signal above the shelving frequency set by the FREQ parameter. At max value the treble is included in the reverberations; lowering the value gradually dampens it. VOL Reverb Volume sets the volume of the Reverb output signal. Use LEVEL/DATA to set this parameter. 12. FX AND MIXER PARAMETERS HPF HPF sets the cutoff frequency of the reverb high-pass filter that affects the audio going into the reverb. LPF LPF sets the cutoff frequency of the reverb low-pass filter that affects the audio going into the reverb. 12.4 CHORUS (SEND FX PAGE 3) The chorus can be used to widen sounds, enhance the stereo image or add subtle movement to sounds. DPTH Depth sets the depth of the LFO modulation of the chorus. SPD Speed sets the speed of the LFO modulation of the chorus. HPF High-pass filter sets the highpass filtering of the input signal. WDTH Width sets the stereo width of the chorus. VOL Chorus Volume sets the volume of the Chorus output signal. Use LEVEL/DATA to set this parameter. DEL Delay Send sets how much of the wet chorus signal to send through to the delay. REV Reverb Send sets how much of the wet chorus signal to send through to the reverb. 12.5 COMPRESSOR (MIXER PAGE 1) The Compressor master effect compresses the dynamic range of the signal by reducing the volume of loud sounds relative to the quiet sounds. There are eight parameters with which the compressor is customized on this page. There is a bar on the left side of the screen that visually represents the amount gain reduction THR Threshold sets the threshold of the compressor. A lower threshold means a larger portion of the signal is subject to compression.
章节与相邻小节共享 PDF 页面；标题之前/之后的文本属于相邻小节。