12.15 MOD PAGE 4 (FX LFO 1)

12. AUDIO TRACK PARAMETERS > 12.15 MOD PAGE 4 (FX LFO 1) · PDF 第 60–61 · OS 1.3.3

勘误FADE polarity is stated in reverse between MOD pages

§12.12 (VOICE LFO 1) says positive FADE values “produce a fade-out, while negative values produce a fade-in”; §12.15 (FX LFO 1) and §12.16 (FX LFO 2) print exactly the opposite polarity for the same control. Only one can be right and the manual never says which, so each parameter record repeats the wording of its own section and flags the conflict — unresolved pending hardware.

判定依据：AUDIT.md + §12.12

印刷版手册中已确认的错误。本项目记录矛盾之处，而不是隐藏它们——与所有引用原文的内容一样，下面的说明保持英文。

# 12.15 MOD PAGE 4 (FX LFO 1)

12. AUDIO TRACK PARAMETERS
• ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops.
This makes the LFO function similar to an envelope.
• HALF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops.
DEP
Depth sets the depth and polarity of the LFO modulation. Both negative and positive modulation depths
are possible. A center setting, 0.00, equals no modulation depth.
12.13 MOD PAGE 2 (VOICE LFO 2)
MOD page 2 contains the same parameters as VOICE LFO page 1, but controls VOICE LFO 2.
12.14 MOD PAGE 3 (MOD ENVELOPE)
The Mod Envelope can be used to modulate track parameters. It is similar to the envelopes on the AMP and
FLTR pages but lets you route to a destination of your choice.
ATK
Attack Time sets the length of the attack phase of the amp envelope.
DEC
Decay Time sets the length of the decay phase of the amp envelope.
SUS
Sustain Level sets the sustain level of the amp envelope.
REL
Release Time sets the length of the release phase of the amp envelope.
RSET
Mod Envelope Reset sets the Mod envelope behavior:
ON resets the envelope for each consecutive trig. The envelope’s attack phase is reset to zero.
OFF does not reset the envelopes for each consecutive trig (default). The envelope’s attack phase
continues from where it was left off.
DEST
Destination selects the modulation destination for the Mod Envelope. Preview how the modulation will
affect the sound by highlighting a destination. Press [YES] to confirm the selection. Press [NO] to cancel
and revert to previous selection. For more information, please see “APPENDIX B: LFO/MOD ENVELOPE
MODULATION DESTINATIONS” on page 113.
DEP
Depth sets the depth and polarity of the Mod Envelope modulation. Both negative and positive modula
tion depth is possible. A center setting, 0.00, equals no modulation depth.
12.15 MOD PAGE 4 (FX LFO 1)
The FX Low-Frequency Oscillators can be used to modulate the parameters of the selected Insert FX 1
and 2. This page controls the behavior of FX LFO 1.
SPD
Speed sets the speed of the LFO. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob
is bipolar. The LFO cycle can be played backward by using negative values.

12. AUDIO TRACK PARAMETERS
MULT
Multiplier multiplies the SPD parameter by the set factor, either by adjusting the current tempo (BPM
settings) or by applying a fixed tempo of 120 BPM.
FADE
Fade In/Out allows for fading in and out of the LFO modulation. The knob is bipolar. Positive values pro
duce a fade-in, while negative values produce a fade-out. 0 gives no fade-in/fade-out.
DEST
Destination selects the modulation destination for the LFO. Preview how the LFO modulation will affect
the sound by highlighting a destination. Press [YES] to confirm the selection. Press [NO] to cancel and
revert to previous selection. For more information, please see “APPENDIX B: LFO/MOD ENVELOPE
MODULATION DESTINATIONS” on page 113.
WAVE
Waveform sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are
bipolar. The Exponential and Ramp are unipolar.
SPH
Start Phase sets the point within the wave cycle where the LFO will start when it is trigged. 0 makes the
LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. A small square at
the start of the waveform shows that the wave cycle begins at a zero-crossing. If WAV is set to RND then
the SPH parameter changes to SLEW and adds slew to the transitions in the waveform.
MODE
Trig Mode determines how the LFO behaves when a note is triggered.
• FREE is the default free-running mode. It makes the LFO run continuously, never restarting or
stopping even if notes are trigged.
• TRIG makes the LFO restart when a note is trigged.
• HOLD makes the LFO run free in the background, but when a note is trigged, the LFO output level is
latched and held still until the next note is trigged.
• ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops.
This makes the LFO function similar to an envelope.
• HALF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops.
DEP
Depth sets the depth and polarity of the LFO modulation. Both negative and positive modulation depths
are possible. A center setting, 0.00, equals no modulation depth.
12.16 MOD PAGE 5 (FX LFO 2)
The FX LFO 2 page contains the same parameters as FX LFO page 1, but controls the behavior of FX LFO 2.

章节与相邻小节共享 PDF 页面；标题之前/之后的文本属于相邻小节。