11.11 MOD PAGE 3
11. TRACK PARAMETERS > 11.11 MOD PAGE 3 · PDF p. 64–65 · OS 1.10D
# 11.11 MOD PAGE 3 11. TRACK PARAMETERS 11.11 MOD PAGE 3 MOD page 3 page contains the same parameters as LFO page 1, but controls the behavior of LFO 3. Please note that MIDI tracks only have two LFOs. LFO WAVEFORMS AND TRIGMODES TRIG HALF TRIG ONE TRIG TRIG HOLD TRIG TRIG TRIG TRIG FREE TRI SINE SQR SAW EXPO RAMP RAND LFO TRIG MODE WAVEFORM LFO SPEED SETTINGS The table below shows the LFO speed measured in sequencer steps using different combinations of SPD and MULT (set to a BPM value) settings. For example, a value of 8 in the table means that the LFO will do one full cycle in the time it takes the sequencer to advance eight steps. MULT S P D 1K 2K 2048 1024 1024 1/2 1/2 1/4 1/2 1/4 1/8 1/2 1/4 1/8 1/16 1/2 1/4 1/8 1/16 1/32 1/2 1/4 1/8 1/16 1/32 1/64 12. FX AND MIXER PARAMETERS 12. FX AND MIXER PARAMETERS The Digitone II effects and mixers parameters are explained in this chapter. 12.1 EDITING THE SEND FX AND MIXER PARAMETERS The Digitone II’s Chorus, Delay and Reverb are send effects and are set on a pattern level. It means that all the presets in a pattern shares the same effect settings but have individual send levels to the effects. The Delay, Reverb, and Chorus parameters are set on their respective PARAMETER page, but their incoming signals are set by the DEL, REV, and CHO send parameters on the FX page of each audio track. Press [FUNC] + [FX] to access the SEND FX parameter pages, and then use the [UP]/[DOWN] keys to navigate between the sub pages. Use the DATA ENTRY knobs A-H to change the parameters. Press [FUNC] + [MOD] to access the MIXER parameter pages, and then use the [UP]/[DOWN] keys to navigate between the sub pages. Use the DATA ENTRY knobs A-H to change the parameters. The FX and MIXER parameter settings are stored as part of the pattern. Don’t forget to save the pattern and give it a unique name once you have achieved the results you want. 12.2 DELAY (SEND FX PAGE 1) The Delay send effect takes the input signal, delays it in time and then rejoins it with the original signal. TIME Delay Time sets the delay time. It is relative to the current BPM and is measured in 128th notes. TIME setting Divide ratio 1/128 1/64 2.67 1/48 (1/32T) 1/64. 1/32 5.33 1/24 (1/16T) 1/32. 1/16 10.67 1/12 (1/8T) 1/16. 1/8 21.33 1/6 (1/4T) 1/8. 1/4 42.67 1/3 (1/2T) 1/4. 1/2 1/2.
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