13.3 REVERB
13. DELAY, REVERB AND MIXER PARAMETERS > 13.3 REVERB · PDF p. 69–70 · OS 1.40A
# 13.3 REVERB 13. DELAY, REVERB AND MIXER PARAMETERS 13.2.2 X Ping-pong sets the delay signal to alternate across the stereo field. There are two settings: • OFF lets you manually set the position of the delay signal in the stereo field. Use the WID parameter to change the stereo field position. • ON makes the delay signal alternate between left and right pan positions. The WID parameter controls the amount of panning. 13.2.3 WID Stereo Width sets the delay signal pan width across the stereo field. The parameter is bipolar. 13.2.4 FDBK Feedback Gain sets the amount of delay output signal to feed back into the input of the delay. With high er parameter settings, infinite and/or swelling delays are possible. Please be aware that high feedback can lead to a very loud signal. 13.2.5 HPF Feedback HPF sets the cutoff frequency of the delay highpass filter. 13.2.6 LPF Feedback LPF sets the cutoff frequency of the delay lowpass filter. 13.2.7 REV Reverb Send sets the amount of Delay output signal to be sent to the Reverb. 13.2.8 VOL Mix Volume adjusts the volume of the Delay output signal. The parameters on the DELAY parameter page can be controlled by the sequencer using the FX Track. For more information, please see “6.3.3 THE FX TRACK” on page 21. and “12. FX TRACK PARAMETERS” on page 62. 13.3 REVERB The Reverb send effect controls the persistence, and ambient characteristics, of the sound reverberations. It can simulate many different sonic locations, from huge spaces to small rooms. Press [FUNC] + [AMP] to access this parameter page. 13.3.1 PRE Pre-delay sets the pre-delay time of the Reverb. 13.3.2 DEC Decay Time sets the length of the decay of the reverberated signal. The decay time can be set to infinite. 13.3.3 FREQ FB Shelving Freq sets the shelving filter frequency. Together with the GAIN parameter, it can be used to dampen the reverberated signal above a chosen frequency, making the reverberation sound more promi nent or more muffled. 13.3.4 GAIN FB Shelving Gain affects the damping of the reverberated signal above the shelving frequency set by the FREQ parameter. At max value the treble is included in the reverberations; lowering the value dampens it. 13. DELAY, REVERB AND MIXER PARAMETERS 13.3.5 HPF HPF sets the cutoff frequency of the reverb high-pass filter that affects the audio going in to the reverb. 13.3.6 LPF LPF sets the cutoff frequency of the reverb low-pass filter that affects the audio going in to the reverb. 13.3.7 VOL Mix Volume sets the volume of the Reverb output signal. The parameters on the REVERB parameter page can be controlled by the sequencer using the FX Track. For more information, please see “6.3.3 THE FX TRACK” on page 21. and “12. FX TRACK PARAMETERS” on page 62. 13.4 MIXER PAGE 1 The INTERNAL MIXER 1 page is where you can access the TRACK LEVEL parameters of the track 1–8 audio tracks. Press [FUNC] + [LFO] to access this parameter page. 13.4.1 TRK 1–8 Sets the TRACK LEVEL of track 1–8. A striped level bar indicates that the track is routed to the FX track. A MIDI jack symbol indicates that the track is using a MID machine. 13.5 MIXER PAGE 2 The INTERNAL MIXER 2 page is where you can access the TRACK LEVEL parameters of the track 9–12 audio tracks and the overall levels of the signals from the delay, reverb, and the incoming audio from exter nal sources via the INPUT L/R inputs. Press [FUNC] + [LFO] twice to access this parameter page. 13.5.1 TRK 9–12 Sets the TRACK LEVEL of track 9–12. A striped level bar indicates that the track is routed to the FX track. A MIDI jack symbol indicates that the track is using a MID machine. 13.5.2 FX Sets the overall level of the FX track. 13.5.3 DEL Sets the overall level of the delay. 13.5.4 REV Sets the overall level of the reverb
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