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A.4 ANALOG CYMBAL MACHINES

APPENDIX A: MACHINES > A.4 ANALOG CYMBAL MACHINES · PDF p. 108–115 · OS 1.40A

# A.4 ANALOG CYMBAL MACHINES

APPENDIX A: MACHINES
DISABLE (MACHINE DISABLED)
There are no parameters on the SYN page when the DISABLE machine is selected. Use this machine to
make sure no sound or noise is coming from the track the machine is assigned to.
A.4 ANALOG CYMBAL MACHINES
The Syntakt has one ANALOG CYMBAL voice (available on track 12). The ANALOG CYMBAL machines
focus on metallic sounds such as hihats, rides, cymbals and cowbells.
CH CLASSIC
TUNE (Tune) sets the pitch of the oscillators of the closed hihat.
DEC (Decay) sets the length of the decay phase of the closed hihat sound.
NCOL (Noise Color) sets the timbral color.
OVER (Overdrive) sets the gain amount into the analog overdrive.
OH CLASSIC
TUNE (Tune) sets the pitch of the oscillators of the open hihat.
DEC (Decay) sets the length of the decay phase.
NCOL (Noise Color) sets the timbral color.
OVER (Overdrive) sets the gain amount into the analog overdrive.

APPENDIX A: MACHINES
CH METALLIC
TUNE (Tune) sets the pitch of the interacting oscillators of the metallic hihat.
DEC (Decay) sets the length of the decay phase.
OVER (Overdrive) sets the gain amount into the analog overdrive.
OH METALLIC
TUNE (Tune) sets the pitch of the interacting oscillators of the metallic hihat.
DEC (Decay) sets the length of the decay phase.
OVER (Overdrive) sets the gain amount into the analog overdrive.
HH BASIC
TUNE (Tune) sets the pitch of the six oscillators that combine to make the basic hihat sound.
TONE (Tone) sets the tone of the sound. Positive values produce an increasingly shrill tone, while
negative values result in a deeper tone.
TDEC (Transient Decay) sets the length of the transient.
DEC (Decay) sets the length of the hihat sound.
RST (Osc Reset) activate to reset the oscillators for each triggering of the sound, or deactivate to let
the oscillators run free. (ON/OFF)
OVER (Overdrive) sets the gain amount into the analog overdrive.

APPENDIX A: MACHINES
HH LAB
Hi-hat Lab lets you access and tune six separate oscillators to more freely shape the sound.
OSC 1–6 (Oscillator Frequency) sets the pitches of the six separate oscillators that makes up the
hihat sound.
DEC (Decay) sets the length of the hihat sound.
OVER (Overdrive) sets the gain amount into the analog overdrive.
CY CLASSIC
TUNE (Tune) sets the pitch of the interacting oscillators of the cymbal.
TONE (Tone) sets the metallic tone of the cymbal.
DEC (Decay) sets the length of the decay phase of the cymbal sound.
NCOL (Noise Color) sets the timbral color of the cymbal.
OVER (Overdrive) sets the gain amount into the analog overdrive.
CY METALLIC
TUNE (Tune) sets the pitch of the ring-modulated oscillators of the metallic cymbal.
TONE (Tone) sets the tone of the metallic transient.
TDEC (Transient Decay) sets the length of the transient decay phase.
DEC (Decay) sets the length of the decay phase of the oscillators.
OVER (Overdrive) sets the gain amount into the analog overdrive.

APPENDIX A: MACHINES
CY RIDE
TUNE (Tune) sets the pitch of the interacting oscillators that make up the ride cymbal model.
TYPE (Cymbal Type) selects different sets of fundamental oscillator frequencies, as well as different
inter-oscillator logical interaction. (A-D)
HITD (Hit Decay) sets the top decay.
DEC (Tail Decay) sets the tail decay.
HIT sets the level of the hit sound component.
TIMB sets the level of the timbral sound component.
WASH sets the level of the wash sound component.
OVER (Overdrive) sets the gain amount into the analog overdrive.
CB CLASSIC
TUNE (Tune) sets the base pitch of the two oscillators.
DEC (Decay) sets the length of the decay phase of the cowbell sound.
DET (Detune) sets the detune offset of the second oscillator.
OVER (Overdrive) sets the gain amount into the analog overdrive.
CB METALLIC
TUNE (Tune) sets the base pitch of the two oscillators.
DEC (Decay) sets the length of the decay phase of the metallic cowbell sound.
DET (Detune) sets the detune offset of the second oscillator.
OVER (Overdrive) sets the gain amount into the analog overdrive.

APPENDIX A: MACHINES
UT (UTILITY) NOISE GEN (WHITE NOISE GENERATOR)
SDEP (Sweep Depth) sets the depth of the LP Filter sweep. Negative as well as positive sweeps are
possible.
STIM (Sweep Time) sets the length of the sweep from the depth set by SDEP. Low values result in
snappy sweeps, high values result in longer sweeps.
ATK (Attack) sets the length of the attack phase.
DEC (Decay) sets the length of the decay phase. The decay can be set to infinite length.
HPF (HP Filter) sets the highpass filter cutoff frequency.
LPF (LP Filter) sets the lowpass filter cutoff frequency.
RESO (Resonance) sets the amount of resonance around the cutoff frequency of the LP Filter.
LEV (Level) sets the overall sound volume of the machine.
UT (UTILITY) IMPULSE (POSITIVE/NEGATIVE POLARITY IMPULSE)
The Impulse machine can be used to “ping” the filter to create tom sounds. On the FLTR page, set the
filter FREQ parameter to around 48 and the RESO parameter to a high value and then trig the machine.
Another use case for the Impulse machine is to create a transient sound that can be used together with
another sound.
ATK (Attack) sets the length of the attack phase.
DEC (Decay) sets the length of the decay phase.
POL (Polarity) sets the polarity, positive or negative.
LEV (Level) sets the overall sound volume of the machine.
MIDI
The parameters for the MIDI machine are split over the SYN, FLTR and AMP PARAMETER pages.
MIDI (SYN page)
Here you can set the MIDI channel that the MIDI machine should use to send data. Bank and program
change values are also set here, together with a few standard CC parameters. The default value of
the parameters on this page is OFF, meaning they are disabled and do not send out any data. Press
and hold [FUNC] and then press the DATA ENTRY knobs to enable them. You can then use the DATA
ENTRY knobs to set the parameter values as usual. Disable the parameters again by repeating the
activation procedure.
Press [SYN] once to access this parameter page.

APPENDIX A: MACHINES
CHAN (Channe) sets the MIDI channel the track sends MIDI data to. If you set this parameter to
OFF, it turns the MIDI track off. Please note that this parameter cannot be parameter locked. (OFF,
1–16)
BANK (Bank) sends a bank change message on CC 0 MSB. (OFF, 1–128)
SBNK (Sub Bank) sends a bank change message on CC 32 LSB. (OFF, 1–128)
PROG (Program Change) sends a Program Change message. (OFF, 1–128)
PB (Pitch Bend) controls the pitch bend data sent on the MIDI track. (OFF, -128.00–128.00)
AT (Aftertouch) controls the aftertouch data sent on the MIDI track. (OFF, 0–127)
MW (Mod Wheel) controls the modulation wheel data sent on the MIDI track. (OFF, 0–127)
BC (Breath Controller) controls the breath control data sent on the MIDI track. (OFF, 0–127)
MIDI (FLTR page)
Here you can set the values of up to eight assignable CC commands. The default value of the param­
eters on this page is OFF, meaning they are disabled and do not send out any data. Press and hold
[FUNC] and then press the DATA ENTRY knobs to enable them. You can then use the DATA ENTRY
knobs to set the parameter values as usual. Disable the parameters again by repeating the procedure.
Press [FLTR] to access this parameter page.
VAL1-VAL8 (CC 1–8 Value) controls the values that the CC commands send. You specify the CC
commands themselves on the AMP (CC SELECT) page. These parameters default value is OFF.
Press [FUNC] + DATA ENTRY knobs to activate the parameters and then turn the DATA ENTRY
knobs to set a value. (OFF, 0–127)
MIDI (AMP page)
Here you select the eight CC commands whose values you set with the parameters on the FLTR
PAGE (CC VALUE) page. Press the corresponding knob or [ENTER/YES] to activate the parameter
change.
Press [AMP] to access this parameter page.

APPENDIX A: MACHINES
SEL1-SEL8 (CC 1–8 Select) specifies the CC commands whose values you control controlled by
the parameters on the AMP PAGE 1 (CC VALUE) page. The selectable commands are the standard
MIDI Control Change Messages. (1–119)
Please note that the MIDI machine only has one LFO.
DISABLE (MACHINE DISABLED)
There are no parameters on the SYN page when the DISABLE machine is selected. Use this machine to
make sure no sound or noise is coming from the track the machine is assigned to.

APPENDIX B: MIDI
APPENDIX B: MIDI
This appendix lists the CC and NRPN specification for the Syntakt.
B.1 TRACK PARAMETERS
TRACK
Parameter
CC MSB
CC LSB
NRPN MSB
NRPN LSB
Mute
Track level
B.2 TRIG PARAMETERS
TRIG PARAMETERS
Parameter
CC MSB
CC LSB
NRPN MSB
NRPN LSB
Note
Velocity
Length
Filter Trig
LFO Trig
Portamento Time
Portamento On/Off
B.3 SYN PARAMETERS
The parameters on the SYN parameter page vary depending on which machine is selected. The CC/NRPN
value for a specific parameter is instead based on its position in the UI and is denoted here by which data
entry knob controls that parameter.
SOURCE
Parameter
CC MSB
CC LSB
NRPN MSB
NRPN LSB
Data entry knob A
Data entry knob B
Data entry knob C
Data entry knob D
Data entry knob E
Data entry knob F
Data entry knob G
Data entry knob H
B.4 FILTER PARAMETERS
FILTER
Parameter
CC MSB
CC LSB
NRPN MSB
NRPN LSB
Filter Frequency
Resonance
Filter Type
Attack Time
Decay Time
Sustain Level
Release Time
Env. Depth
Env. Delay

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