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10.6 FLTR PAGE 2

10. AUDIO TRACK PARAMETERS > 10.6 FLTR PAGE 2 · PDF 第 52–53 · OS 1.40A

# 10.6 FLTR PAGE 2

10. AUDIO TRACK PARAMETERS
10.5.5 FREQ
Frequency sets the cutoff frequency of the multimode filter and the center frequency of the EQ.
10.5.6 RESO/GAIN
Resonance sets the resonance behavior of the filter. Resonance introduces a peak in the spectrum at
the cutoff frequency. Gain sets the amount of boost/cut around the center frequency of the EQ. Positive
parameter values boost, negative cut.
10.5.7 TYPE
Filter Type selects the type of filter. (Lowpass, Highpass, EQ 1–5, and OFF for tracks with the Digital
voice types, track 1–8) and (Lowpass, Bandpass, Highpass, Notch, Lowpass shelf, Peak, Highpass shelf,
and OFF for tracks with Analog Drum and Analog Cymbal voice types, track 9–12).
•	 The filter types on tracks 1–8 are digital, while the filter types on tracks 9–12 are all
analog circuits.
•	 The parametric EQ is used to boost desired frequencies or to remove unwanted fre­
quencies of the sound.
•	 The five different settings of the EQ lets you select the bandwidth of the frequency
range that the EQ affects. This value is often referred to as Q. The higher the Q value,
the narrower the bandwidth. A broad bandwidth boosts or cuts a larger band of fre­
quencies than a narrow.
10.5.8 ENV
Env. Depth sets the amount of cutoff frequency modulation from the filter envelope. The parameter is
bipolar, both negative and positive modulation depths are available.
TIME
AMPLITUDE
Note On
Attack
Decay
Sustain
Note Off
Release
Env.
Delay
10.6 FLTR PAGE 2
On FILTER page 2, you will find the parameters that control the envelope delay parameter and the base-
width filter (for DIGITAL voices). Press [FLTR] twice to access this parameter page.
10.6.1 DEL
Envelope delay sets the time before the attack phase of the filter envelope starts. This parameter is part
of the filter envelope that controls the multimode filter. You can also press and hold [FUNC] and then
turn DATA ENTRY knob A to quickly access this parameter from FILTER PAGE 1.
10.6.2 FENR
Filter envelope reset sets the filter envelope behavior:
ON resets the envelope for each consecutive trig (default).
OFF does not reset the envelope for each consecutive trig.

10. AUDIO TRACK PARAMETERS
10.6.3 BASE
Sets the base frequency of the filter. This parameter is only available if you have selected a track with a
Digital voice type (Track 1–8).
10.6.4 WIDTH
Sets the frequency width above the base frequency. This parameter is only available if you have selected
a track with a Digital voice type (Track 1–8).
The base-width filter is basically a Highpass filter and a Lowpass filter connected in series. The filters BASE
and WIDTH parameters define the base-width filters frequency range.
Examples of how the BASE and WIDTH parameters affect the filter frequency range:
FREQUENCY
AMPLITUDE
Base
Width
FREQUENCY
AMPLITUDE
Base
Width
FREQUENCY
AMPLITUDE
Base
Width

•	 The base-width filter is only available for tracks with Digital voices types (Track 1–8).
•	 With BASE set to 0, the filter functions as a low pass filter with WIDTH adjusting the fre­
quency range.
•	 With WIDTH set to 127, the filter functions as a high pass filter with BASE adjusting the
frequency range.
•	 With BASE set to 0 and WIDTH set to 127 the filter does not affect the sound.
10.7 AMP PAGE 1
The AMP page controls parameters for the amplitude envelope, effects sends, panning and volume.
Press [AMP] to access this parameter page.
10.7.1 ATK
Attack Time sets the length of the attack phase of the amp envelope.
10.7.2 HOLD
Hold Time sets the length of the hold phase of the amp envelope. Fixed Hold time values (0–126) specify
the length of the hold phase, and the envelope ignores Note Off events such as Trig Length, releasing
a [TRIG] key or a key on an external controller. Setting HOLD to NOTE means the hold phase will be
determined by Note On and Note Off events. For more information, please see “10.2 TRIG PARAMETERS
PAGE 1” on page 50.
If you set HOLD to NOTE and use an external keyboard to trigger the envelope, then the
sound will be sustained for as long as you press a key on the keyboard.
10.7.3 DEC
Decay Time sets the length of the decay phase of the amp envelope. The decay time can be set to
infinite.

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