19. CREDITS AND CONTACT INFORMATION
19. CREDITS AND CONTACT INFORMATION · PDF 第 90–91 · OS 1.40A
# 19. CREDITS AND CONTACT INFORMATION 19. CREDITS AND CONTACT INFORMATION 19. CREDITS AND CONTACT INFORMATION CREDITS ELEKTRON CREW Oscar Albinsson Vladyslav Aleksashyn Johannes Algelind Fredrik Alm Magnus Almberg Christian Alsing Hans Alvarsson Deva Andar Nikolaj Andersson Madeleine Antonsson Per Blomberg Andreas Brykt Shelby Cinca Johan Damerau Ufuk Demir Oscar Dragén Erika Earl Thomas Ekelund Kristofer Fanger Magnus Forsell Jennifer Giöbel Andreas Henriksson Mario Adriane Hernandez Tomas Hjalmarsson Thomas Jansson Patrik Johansson Christian Karlsson Åsa Larsson Erik Liakhovets Andreas Liffgarden Christer Lindström Joel Lundberg Sandra Magnusson Håkan Malm Martin Mellström Taylor Morken Jimmy Myhrman Viktor Nilsson Jean Michel Pepin Mattias Rickardsson Patrik Rinvall Cenk Sayınlı Alex Schetter Martin Sigby David Smallbone Tizard Ann-Sofie Sträng Che Thomas Gösta Wellmer Jake Widgeon Vladislav Zhukov Erik Ångman PRESET/PATTERN SOUND DESIGN Hans Alvarsson Klara Andersson Nikolaj Andersson Corry Banks Shelby Cinca (Catbeats) edIT Derrick Estrada (Baseck) Shiro Fujioka (VoltageCtrlR) Mario Adriane Hernandez Joseph Holiday (Snakes of Russia) Thomas Jansson Adam Jay Nils Krogh (Arkajo) ktnsft James LaValle (The Album Leaf) Joel Lundberg Lying Dalai Shanda Nunez (Trovarsi) Jean Michel Pepin Elin Piel Jimmy Myhrman Niklas Sjösvärd (zabutom) David Smallbone Tizard Gösta Wellmer Erik Ångman (20Hz) CONTACT INFORMATION ELEKTRON WEBSITE http://www.elektron.se OFFICE ADDRESS Elektron Music Machines MAV AB Banehagsliden 5 SE-414 51 Gothenburg Sweden APPENDIX A: MACHINES APPENDIX A: MACHINES A.1 VOICE TYPES AND MACHINES The voice type is the underlying synthesis model and can be either analog or digital. The Syntakt has three different kinds of voice types. Analog Drum, Analog Cymbal, and Digital. A machine is a sound engine that uses a subset of functionality derived from the voice type. There are a large number of machines available in the Syntakt. Every machine has its own set of parameters tailored to give you the most relevant and use ful sound-shaping possibilities for that particular machine. Any track can be used to send MIDI to external MIDI-equiped devices. This is done by assigning a MIDI machine to the track. Every track has a dedicated voice type when it is used as an audio track. • Track 1–8: Digital • Track 9–11: Analog Drum • Track 12: Analog Cymbal For more information, please see “6.3.1 AUDIO TRACKS, VOICE TYPES, AND MACHINES” on page 20. A.1.1 ASSIGNING A MACHINE TO THE ACTIVE TRACK 1. Press [FUNC] + [SYN] to open the MACHINE menu. Use the [UP]/[DOWN]. keys to view to the ma chines that are available for that track (depending on the voice type). 2. Press YES, to select the highlighted machine and assign it to the track. • You can also open the MACHINE menu by quickly pressing [SYN] twice. • The machines available for selection depend on the voice type of the selected track. • Any track can be used to send MIDI. Just assign a MIDI machine to the track. A track is either an audio track or a MIDI track. The track cannot be both at the same time. The rest of this appendix lists the machine-specific parameters on the SYN page. The selected machine determines the parameters available. A.2 DIGITAL MACHINES The Syntakt has eight Digital voices (available on tracks 1–8). The Digital machines can produce a wide variety of sounds with everything from drums, melodic leads to chords. BD MODERN TUNE (Tune) offsets the incoming note value. This parameter is bipolar. A setting of 0 leaves the pitch unchanged. SWEP (Pitch Sweep) sets the depth and time of the pitch sweep. PNCH (Punch) adds a compressor-like envelope, which accentuates and distorts the sound. DEC (Decay) sets the length of the decay phase of the machines internal amp envelope. SMOD (Square Modulation) sets the amount of square-like modulation. TMOD (Triangle Modulation) sets the amount of triangle-like modulation and feedback. MENV (Modulation Envelope) sets the decay and depth of the modulation envelope. OVER (Overdrive) sets the gain amount into the digital overdrive.
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