12.9 EXTERNAL MIXER

12. FX AND MIXER PARAMETERS > 12.9 EXTERNAL MIXER · PDF p. 66–68 · OS 1.15A

# 12.9 EXTERNAL MIXER

12. FX AND MIXER PARAMETERS
12.8 FX MIXER
(MIXER PAGE 4)
On the FX MIXER page you can set the levels of the send effects and master overdrive.
Press [FUNC] + [MOD] four times to access this parameter page.
VOL
Pattern Volume sets the patterns overall audio level. This parameter can be used to balance the volume
between different patterns and is saved together with the kit. Use LEVEL/DATA to adjust the settings.
CHR
Chorus Mix Volume sets the master volume of the chorus.
DEL
Delay Mix Volume Sets the master volume of the delay.
REV
Reverb Mix Volume sets the master volume of the reverb.
MOVD
Master Overdrive sets overall amount of overdrive for the audio tracks in the kit. Use LEVEL/DATA to
adjust the settings.
12.9 EXTERNAL MIXER
(MIXER PAGE 5)
The EXTERNAL MIXER page contains a number of parameters related to when you use the IN L/R inputs
to process incoming audio.
IN LR
In Level sets the level of the audio from the IN L/R audio input.
DUAL
Dual Mono sets if the inputs are processed as a single stereo input or as two separate mono inputs. Set
ting this parameter to ON changes the rest of the parameters from controlling both inputs to separate
controls for channel L and R split over two mixer pages The BAL parameters changes to a PAN parame
ter. Use B to adjust this parameter.
BAL
Balance sets the balance of the audio from the INPUT L and INPUT R inputs in the stereo field.
VOL
Pattern Volume sets the patterns overall audio level. This parameter can be used to balance the volume
between different patterns and is saved together with the kit. Use LEVEL/DATA to adjust the settings.

12. FX AND MIXER PARAMETERS
CHO
Chorus send sets the amount of sound from the IN L/R audio input that is sent through to the chorus
effect. For more information, please see “12.4 CHORUS” on page 63.
DEL
Delay send sets the amount of sound from the IN L/R audio input that is sent through to the delay effect.
For more information, please see “12.2 DELAY” on page 61
REV
Rev send sets the amount of sound from the IN L/R audio input that is sent through to the reverb effect.
For more information, please see “12.3 REVERB” on page 62.
If you set DUAL to ON, the first EXTERNAL MIXER page will control the audio from INPUT
L. You also get an additional EXTERNAL MIXER page (6) that control the audio from
INPUT R. The DUAL setting also affects the options you have for the SRC parameter in the
sample recorder. For more information, please see “13.1.1 SRC” on page 68.
• Setting the MON parameter on the SAMPLING menu to DRY disables the External in
mixer functionality. For more information, please see “13.1 SAMPLING MENU” on page
68.
• After you load/reload a project, or after pressing [STOP] + [STOP], you must trig or play
an audio track to activate the effects for the External in mixer.

13. SAMPLING
13. SAMPLING
Digitakt II is a very competent and accessible sampler. It can sample audio from external sources via the
external inputs, and sample audio internally from the Digitakt II itself. It can also sample over USB when it is
connected as a soundcard. The maximum sampling time is 66 seconds and this is always available even if a
project’s 400 MB of RAM memory is all used up.
13.1 SAMPLING MENU
The SAMPLING menu offers settings that control the different aspects of sampling.
Press [SAMPLING] to access this menu. Use the DATA ENTRY knobs to change the parameters.
13.1.1 SRC
Source selects between different audio sources to sample from.
• MAIN sets the input source to the Digitakt II internal main audio channel(s).
• USB sets the input source to USB and lets you sample audio using Overbridge or from a connected
class compliant audio host.
• TRK1–16 sets the input source to one of the Digitakt II’s internal tracks.
• IN sets the input source to INPUT L and/or R which lets you sample from external sources.
13.1.2 CHAN
Sets which channels the recorder should sample from.
• STEREO L R sets the recorder to sample both left and right channels from the source.
• MONO L sets the recorder to only sample the left channel from the source.
• MONO R sets the recorder to only sample the rightchannel from the source.
• MONO L+R sets the recorder to sample both left and right channels from the source, but the audio is
then summed to mono.
13.1.3 RECORD NOW
Press [YES] to start sampling. Press [YES] to stop sampling. This quick way of sampling does not con
sider the THRES and ARM parameter settings.
13.1.4 THRES
If you have selected to arm the sampler, the sampling begins when the incoming audio signal exceeds
the threshold set by this parameter provided that R.STRT is set to THRES. Set the threshold high enough
so that it is not triggered by background noise, but low enough that you capture all of the signal.
13.1.5 MON
Selects the option to monitor the incoming audio through the Digitakt II’s mixer and effect settings on the
EXTERNAL MIXER page (POST MIX) or not (PRE MIX). The MON parameter is only available if SRC is
set to IN L R.
• Please note that the recorded audio will always be the dry input signal and without the
Digitakt II’s effects added.
• Setting the MON parameter to PRE MIX disables the External In mixer functionality. For
more information, please see “12.9 EXTERNAL MIXER” on page 66.
• If MON is set to PRE MIX, make sure that the IN L R setting on the EXTERNAL MIXER
page is turned up or else you will not hear any sound.

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