11.9 MOD PAGE 1
11. TRACK PARAMETERS > 11.9 MOD PAGE 1 · PDF 第 58–59 · OS 1.15A
# 11.9 MOD PAGE 1 11. TRACK PARAMETERS BR Bit Reduction sets the bit rate. The parameter range is from 16 bits to 1 bit. OVER (Overdrive) sets the gain amount into the digital overdrive. SRR Sample Rate Reduction sets the amount of sample rate reduction. ROUT SRR Routing sets if the Sample Rate Reduction effect is applied pre (before) or post (after) the filter section. DEL Delay Send sets the amount of sound sent through to the Delay effect. For more information, please see “12. FX AND MIXER PARAMETERS” on page 61. REV Reverb Send sets the amount of sound sent through to the Reverb effect. For more information, please see “12. FX AND MIXER PARAMETERS” on page 61. CHR Chorus Send sets the amount of sound sent through to the Chorus effect. For more information, please see “12. FX AND MIXER PARAMETERS” on page 61. OD.RT Overdrive Routing selects if the overdrive effect is routed before (PRE) or after (POST) the filter machine. Please note that there are no parameters on the FX page for MIDI tracks. 11.9 MOD PAGE 1 The MOD pages contains three LFOs (two for tracks that use MIDI machines). The Low-Frequency Oscilla tor can be used to modulate the parameters found on the tracks SRC, FILTER and AMP pages. Customize the low-frequency oscillator behavior, orientation, and depth on this page. This page controls the behavior of LFO 1 Press [MOD] to access this parameter page. SPD Speed sets the speed of the LFO. Try settings of 8, 16 or 32 to sync the LFO to straight beats. The knob is bipolar. The LFO cycle can be played backward by using negative values. MULT Multiplier multiplies the SPD parameter by the set factor either by multiplying the current tempo (BPM settings), or by multiplying a fixed tempo of 120 BPM. FADE Fade In/Out makes it possible to fade in/fade out the LFO modulation. The knob is bipolar. Positive val ues give a fade-out, negative values give a fade in. 0 gives no fade in/fade out. (-64–63) 11. TRACK PARAMETERS DEST Destination selects the modulation destination for the LFO. Preview how the LFO modulation will affect the sound by highlighting a destination. Press [YES] to confirm the selection. Press [FUNC] and then turn the knob to snap to destination sections. For more information, please see “APPENDIX C: MODULA TION DESTINATIONS” on page 114. WAVE Waveform sets the LFO waveform. The Triangle, Sine, Square, Sawtooth, and Random waveforms are bipolar. The Exponential and Ramp are unipolar. SPH Start Phase sets the point within the wave cycle where the LFO will start when it is trigged. 0 makes the LFO start at the beginning of a complete wave cycle, 64 makes it start at the center. A small square at the start of the waveform shows that the wave cycle starts at a zero-crossing. If WAVE is set to RND then the SPH parameter changes to SLEW and adds slew to the transitions in the waveform. MODE Trig Mode sets how the LFO will act when a note is trigged. • FRE is the default free-running mode. It makes the LFO run continuously, never restarting or stopping even if notes are trigged.. • TRG makes the LFO restart when a note is trigged. • HLD makes the LFO run free in the background, but when a note is trigged the LFO output level is latched and held still until the next note is trigged. • ONE The LFO starts when a note is trigged, then runs to the end of the waveform and then stops. This makes the LFO function similar to an envelope. • HLF The LFO starts when a note is trigged, then runs to the middle of the waveform and then stops. DEP Depth sets the depth and polarity of the LFO modulation. Both negative (inverted) and positive modula tion depth is possible. A center setting, 0.00, equals no modulation depth. 11.10 MOD PAGE 2 MOD page 2 page contains the same parameters as LFO page 1, but controls the behavior of LFO 2. 11.11 MOD PAGE 3 MOD page 3 page contains the same parameters as LFO page 1, but controls the behavior of LFO 3. Please note that MIDI tracks only have two LFOs.
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